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Modern Penetration

EMMANUEL & DUSTIN ZAHN - Modern Penetration
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EMMANUEL & DUSTIN ZAHN - Modern Penetration

Emmanuel & Dustin Zahn

Modern Penetration

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Cat: EVA 003
Released: 
Genre: Techno
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
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TITLE
LENGTH
BPM
05:14
130
07:28
128
05:03
130
06:16
134
Entire Release:

Review

Arts label owner Emmanuel teams up with veteran producer Dustin Zahn for this resolutely underground EP. Emmanuel's "Bethide" starts the release in tough mode, with gritty kicks and dense, clicking percussion providing a funky but utilitarian sound. On "Visible Invisible", he veers into a deeper but gloomy direction, as bleak synths unfold over a pumping rhythm. It's a marvellously moody affair. This split release also finds Zahn in uncompromising form; the tribal "Submit Yourself" unfolds to belching acid lines and looped vocal snatches, while on "Eternity's Edge", he lets broken beats and rolling filters provide the basis for dreamy but dark chords.

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