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My Home Is Sonic

EXOS - My Home Is Sonic
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EXOS - My Home Is Sonic

Exos

My Home Is Sonic

Delsin Holland

Cat: DSRX 9
Released: 
Genre: Techno
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
02:47
134
05:19
130
05:42
132
07:50
136
05:48
136
05:58
135
7. 
07:42
123
06:10
126
9. 
05:10
127
05:25
119
11. 
06:36
126
07:11
126
01:58
104
Entire Release:

Review

Periodically, labels get a little fascinated with reissuing material from certain previously overlooked scenes. Recently, that's meant a surprising re-focus on the Icelandic dub techno scene of the late '90s early 2000s. The chief beneficiary of this has been Arnvidur "Exos" Snorrason, whose pioneering 1998 12", Q-Box, recently resurfaced on Thule. Here, his 2001 album My Home Is Sonic gets the reissue treatment on Delsin. Sat somewhere between hypnotic German minimal, the relentless loops of Robert Hood, the dubwise Berlin antics of Rhythm & Sound, and classic Motor City futurism, the album remains a timeless example of dub techno at its' very best.

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