Gary Howell, otherwise known simply as the enigmatic GH figure, features on several different labels under several different aliases, but this particular material for the might Modern Love imprint is arguably his best and most intriguing. This is his first album under the GH moniker, but already we can hear that his thoughts neatly shaped into one single-minded vision of noise and industrial music. For much of Housebound Demigod, the producer only uses beats to add to his abstract shapes; freeform sounds that manage to create enough movement with the simple and minimalistic components that they're constrained to. Drones and distortions sound full of life and direction, with little attention devoted to making them as full a possible, and instead on how to make them sound as interesting as possible. A wonderfully executed piece of experimentalism.
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