High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player).
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware.
Every once in a while, the underground electro sound finds its way into electronic music's mainstream. The last time that this happened to a significant degree was during the late '90s and early '00s, with electroclash artists like Tiga and Fischerspooner representing its most mainstream iteration. No one could ever suggest that Helena Hauff is on the same level as these two acts, but she does provide modern electro with a face and an identity. Tellingly, on Desires, she neatly encapsulates everything that that is great about this form, from the moody soundtrack of "Silver Sand & Boxes Of Mould" to the rolling 808s and nightmarish synths of "L'Homme Mort" and "Tripartite Pact" to the higher-paced, tweaked electro funk of "Funereal Morality" and "Piece of Pleasure".
What is Album Only?
Some artists and labels prefer certain tracks to be purchased as part of an entire release. These tracks cannot be purchased individually but are available to download as part of the release
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