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Pollux

HERETIC - Pollux
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HERETIC - Pollux

Heretic

Pollux

Nein

Cat: NEIN 033
Released: 
Genre: Disco/Nu-Disco
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
06:46
115
07:31
115
07:39
104
Entire Release:

Review

After impressing with the rather fine 44 Squadron EP on Relish last summer, Eskimo Twins member Timothy Clerkin dons his Heretic guise for an undeniably spacey outing on Nein. With its outer-space noises, undulating electronics, acid flashes and arpeggio rhythms, "Pollux" sits somewhere between spiraling cosmic disco and chugging acid house. While good, it's the accompanying remix package that really impresses. Andrew Weatherall leads the five-man assault, emphasizing the original's spacey elements whilst adding a body-popping electro feel to the beats. Arguably even better is Hardway Brothers' moody, new wave-goes-electro interpretation, while Anton Maiovvi's "Decent Into Hell Mix" is a flurry of panicky electronics, shimmering analogue synthesizers and sweaty drum machine builds.

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