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Check Yourself

ITONIC - Check Yourself
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ITONIC - Check Yourself

iTonic

Check Yourself

Strictly Flava

Cat: SF 039
Released: 
Genre: UK Garage
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
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TITLE
LENGTH
BPM
04:37
133
2. 
04:30
132
Entire Release:

Review

London producer Itonic is a regular newcomer to the garage game, with just a string of self-released digital EPs to his name. Here he appears on Strictly Flava for the very first time with a two-track missive that we think is quietly impressive. "Check Yourself" is classic two-step garage of the kind that first rose to prominence in the late 1990s - all weighty sub-bass, skipping beats, ear-pleasing organ sounds and the sort of cut-up female vocal snippets that have long been a feature of Todd Edwards' productions. Virtual B-side "Jive" is similarly warm, soulful and positive, with the producer peppering a beefy bassline and a more complex two-step rhythm with bouncy stabs, Grant Nelson-esque keyboard sounds and more glassy-eyed female vocal samples.

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