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Fractals

JACQUES BON - Fractals
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JACQUES BON - Fractals

Jacques Bon

Fractals

Live At Robert Johnson

Cat: PLAYRJC 055D
Released: 
Genre: Deep House
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
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TITLE
LENGTH
BPM
07:28
120
07:24
121
05:46
126
Entire Release:

Review

During the day, Jacques Bon can be found behind the counter at the Smallville record store in Paris, while by night, he focuses his attention on the kind of deep, sensuous house that he sells. The title track here is a stripped back, fragile groove that resounds to chimes and evocative tones, all realised against a 120 bpm tempo. On "Hey Matt", he ups the ante slightly to drop a chord-heavy groove that has a slightly woozier feel. The release also features two remixes of "Fractals" by Lauer. The first, the 'Frankfurt Beat' version, is a pulsating electronic affair, while on the 808 version, Lauer drops an irresistible, rolling take, laden down with acidic tones and evocative riffs.

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