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Night Class

JAMES ROD - Night Class
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JAMES ROD - Night Class

James Rod

Night Class

Midnight Riot

Cat: MIDRIOTD 064
Released: 
Genre: Disco/Nu-Disco
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
07:11
111
04:57
119
08:37
115
07:41
112
06:43
114
05:30
110
05:01
118
06:35
121
Entire Release:

Review

Over the last couple of years, Spanish producer James Rod has worked his way to the top of the nu-disco scene via a string of fine releases for Hot Digits, Audaz, Good Stuff and his own Golden Soul label. Night Class marks his first appearance on Midnight Riot, and predictably he's pulled out all the stops. The eight-track set effortlessly blurs the boundaries between house-friendly reworks and traditional re-edits, along the way serving up a string of dancefloor-ready bombs. Highlights include - but are not limited to - the electrofunk/disco hybrid "Kissing You", the synth-bass-heavy shuffle of "Ozila Boogie", the stuttering, edit-heavy freestyle flex of "Crushed", and the slammin', anthem-like brilliance of closer "Never Giving In".

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