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No To Love

WARE, Jessie - No To Love
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DJ-friendly full length tracks
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WARE, Jessie - No To Love

Jessie Ware

No To Love

PMR

Cat: PMR 025
Released: 
Genre: Deep House
Due to copyright restrictions you cannot buy this product in your country
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
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Entire Release:
$4.99

Review

With her collaborations with SBTRKT ensuring she started moving in interesting circles within electronic music, Jessie Ware has covered a lot of ground in the past two years with her soulful croon, and here her regular haunt of PMR records pairs her "No To Love" track with a stellar cast of remixers. Todd Edwards steals the show, bringing a wonderful racket to bear on the track with huge clattering drums and his trademark razor-thin chops. Ewan Pearson's version is a languid slice of electro house rich in detail and melancholy, while George Fitzgerald delivers a metallic techno sheen to a crisp house template for the safest peak-time cut of the bunch.

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