| Play All | TITLE | LENGTH | BPM | |
|---|---|---|---|---|
| 1. Imposition | 04:58 | 130 | ||
| 2. Imposition (Jamie Curnock remix) | 06:18 | 130 | ||
| 3. Disposition | 05:29 | 130 | ||
| 4. Exposition | 06:08 | 126 | ||
| 5. Opposition | 05:24 | 128 | ||
| Entire Release: | ||||
Review:
Farr is the fourth and final member of the Onnset label owners to release on the imprint - but judging on Position, it was certainly worth the wait. A large part of the UK producer's appeal is down to the fact that he doesn't sound like most of his peers; "Imposition" shows that this is the case with its droning guitars and stepping beats, while Farr's love of break beats is also audible on "Disposition", where more robotic breaks are fused with chilling synths. He also makes a compelling case for Reese bass-centred techno on the storming, siren-laded "Exposition" and the rolling, ominous "Opposition".
Farr is the fourth and final member of the Onnset label owners to release on the imprint - but judging on Position, it was certainly worth the wait. A large part of the UK producer's appeal is down to the fact that he doesn't sound like most of his peers; "Imposition" shows that this is the case with its droning guitars and stepping beats, while Farr's love of break beats is also audible on "Disposition", where more robotic breaks are fused with chilling synths. He also makes a compelling case for Reese bass-centred techno on the storming, siren-laded "Exposition" and the rolling, ominous "Opposition".
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