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Paper Frames EP

ROBERTS, John - Paper Frames EP
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ROBERTS, John - Paper Frames EP

John Roberts

Paper Frames EP

Dial Germany

Cat: DIAL 64
Released: 
Genre: Experimental/Electronic
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Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
TITLE
LENGTH
BPM
01:23
 
$1.89
04:29
 
$1.89
01:22
 
$1.89
05:49
 
$1.89
Entire Release:
$6.49

Review

Producer, DJ and budding travel almanac editor John Roberts returns with his first original material since that superlative debut album Glass Eights. The four tracks that make up Paper Frames are described by Roberts as "a wonderful journey into sound design, sample research and contemporary club music" and see him experiment further with preconceptions of what club music should sound like - something that was evident on recent remixes of Blondes and George Fitzgerald. The Opening short "Untitled II" retains all the mastery of delicate instrumentation shown on Glass Eights, though it's combined with jagged rhythmic edits and acts as a neat prelude to where Roberts goes on the subsequent title track. Perhaps best described as Roberts chopping up the sounds of a bull rampaging through a Denmark St music shop, it's an excellent track and the highlight of a welcome return on Dial

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