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Grass Roots EP002

KELVIN K - Grass Roots EP002
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KELVIN K - Grass Roots EP002

Kelvin K

Grass Roots EP002

Grass Roots

Cat: GRREP 002
Released: 
Genre: Deep House
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
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TITLE
LENGTH
BPM
06:15
124
06:28
124
07:27
124
Entire Release:

Review

Kelvin K returns with more "Grass Roots" tracks shot through with misty-eyed audio references to good-time dance music from the 1990s. He begins in confident mood by wrapping elongated chords, fizzing riffs and stabbing female vocal samples around a skipping, New Jersey garage-influenced deep house groove on "Lifts Me" (think Mateo & Matos's turn-of-the-millennium fare on Glasgow Underground and you're close), before opting for a little more hip-swinging UK garage flavour on the Grant Nelson-esque bump of "2B Free". To round things off, he reaches for the booming bass and hard-wired funk samples on chunky peak-time filter-house stomper "The Under", which some in the Juno office thought sounded a little like Basement Jaxx's early work on Atlantic Jaxx.

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