First surfacing with an impressive debut EP for the Horizontal Ground label, it makes perfect sense that Berlin-based Samuel Kerridge should then gravitate towards Downwards to further expand on his own brand of industrial techno. You get feeling that the knowing sense of humour apparent in many of the titles to Kerridge productions appeals to someone like Downwards label boss Karl O'Connor. After several EPs for Downwards, Kerridge unveils his debut album A Fallen Empire which comes brandishing "7 pieces of sonic warfare" that lodge the producer ever deeper into the crawlspace between jagged industrial techno and white noise laden experimental sounds. The huge "Death Is Upon Us" is a morbid highlight.
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