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320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
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320KB/S MP3
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Review
The perception may still linger that Tony Allen's influence on modern electronic music is limited to Afrobeat or broken beat, but as this remix compilation attests, his influence looms large in other, unexpected places. On Chop Up, for example, Carl Craig finally delivers his response to his evergreen 2004 version of Beanfield's "Tides", with hypnotic chants, rolling drums and brassy breakdowns dominating his take on Allen's "Kilode". Equally, Mark Ernestus is inspired to push Allen legacy into the realms of low-slung house, with "Moyege" transformed into a languid, dubby disco rhythm. However, it's not just the more cerebral end of electronic music that has been seduced by Allen's genius: US star Diplo also contributes to Chop Up, with a squelchy, party take on "Fuju Ouija", while other unexpected contributors like Hypnotic Brass Ensemble and Salah Ragab keep the mood upbeat: the former drops an irresistible swaggering version of "Sankofa' and the latter brings a flavour of Notting Hill Carnival to "Ole", as celebratory brass competes with sunny day ivory tinkling. In spite of these joyful renditions of Allen's legacy, the version that we keep returning to is Moritz Van Oswald's take on "Ole". It's fascinating to hear that Allen's tumbling, rambunctious drums informed the Basic Channel member's work in the same way as King Tubby, but even more fascinating is what van Oswald does with Allen's drumming. Transforming them into solemn but understated marching beats, he uses them to underpin the most atmospheric, woozy dub chords this side of "M6".Get new release alerts
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What is Album Only?
Some artists and labels prefer certain tracks to be purchased as part of an entire release. These tracks cannot be purchased individually but are available to download as part of the release
Some artists and labels prefer certain tracks to be purchased as part of an entire release. These tracks cannot be purchased individually but are available to download as part of the release
