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Get Real: Can't Touch Your Love (remixes)

LOFRAMES - Get Real: Can't Touch Your Love (remixes)
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LOFRAMES - Get Real: Can't Touch Your Love (remixes)

Loframes

Get Real: Can't Touch Your Love (remixes)

Loframes

Cat: LOFRAMES 001
Released: 
Genre: Funky/Club House
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
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TITLE
LENGTH
BPM
03:56
117
Entire Release:

Review

A Franco-British duo less than a year old, Loframes have already earned a reputation for quality synthpop via releases on labels such as Chess Club and Moshi Moshi. Individually James Yuill has been hyped by The Guardian and the BBC, whilst Franck Russo has released on labels like Bpitch Control. Here we have two newies: the bouncy '80s-style sophisti-pop (yes there's even a sax!) of "Get Real" and the retro poppy piano house of "1996". Kartell also gently houses up the title track whilst Aashton turns it into deeper arpeggiated territory.

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