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LZD XV: Fifteen Years Of Lazy Days (2015-2020)

VARIOUS - LZD XV: Fifteen Years Of Lazy Days (2015-2020)
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VARIOUS - LZD XV: Fifteen Years Of Lazy Days (2015-2020)

Various

LZD XV: Fifteen Years Of Lazy Days (2015-2020)

Lazy Days US

Cat: LZDLP 16
Released: 
Genre: Deep House
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
05:52
124
05:30
122
06:18
122
07:22
124
Entire Release:

Review

To mark 15 years of the Lazy Days Recordings label he established with Mike Fresco in 2005, Canadian deep house legend Fred Everything has decided to release a trilogy of celebratory compilations, each of which focuses on a specific five-year block. This one celebrates the best material released on the label over the last five years (2015-2020), delivering thrills by the barrowload. Everyone will have their own highlights, but our picks of an extremely strong bunch include the early Larry Heard style warmth of Lance DiSardi's 'Field Recording', the early morning shuffle of Fred Everything's 'Someone Like You', the rushing piano house revival of Fred Everything and Shur-I-Kan's glassy-eyed 'Until Then', and the glacial, tech-tinged goodness of Martin Iveson's 'Leave Me Here'.

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