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DJ-friendly full length tracks
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Formats:
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
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320KB/S MP3
Entire Release:
Review
Aroy Dee has long been one of the main European purveyors of deep, Detroit influenced techno - and on Lost Digits, he again reminds the listener why he has earned that distinction. Rather than set trends, Dee is an adept curator, keeping the torch lit for introspective, emotive techno music. The title track is a classic case in point; Dee conjures up hushed chords over reverberated claps and hovering in the background is the kind of reversed vocal sample that featured heavily on tracks for the early Network compilations or slightly later on the A13 label. But Dee isn't content to consign his music to a head-nodding context and perhaps his other most significant contribution is his joining up of techno soul with a raw reading on Chicago house. It's audible on both "Belfast" and "Insolence", where eerie sytnhs and widescreen soundscapes get cosy with rasping hats, plunging, grainy basslines and doubled-up claps. Of the two tracks, "Insolence" will shade it for DJs thanks to its spacious rhythm, but "Belfast" is more out there by dint of its dense groove and liquid, morphing arrangement. Marcel Fengler also gets into the old school spirit for his version of the title track. Instead of stern industrial rhythms, the listener is presented with a rolling, filtered groove and building, layered synths - like vintage Stacey Pullen imagined through a streamlined European vision. At this rate they should just hand over the techno museum's keys to Dee, its chief curator.Get new release alerts
M>O>SDolly
What is Album Only?
Some artists and labels prefer certain tracks to be purchased as part of an entire release. These tracks cannot be purchased individually but are available to download as part of the release
Some artists and labels prefer certain tracks to be purchased as part of an entire release. These tracks cannot be purchased individually but are available to download as part of the release
