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Nothing Can Be Held In Our Hands For Long

MAKATON - Nothing Can Be Held In Our Hands For Long
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MAKATON - Nothing Can Be Held In Our Hands For Long

Makaton

Nothing Can Be Held In Our Hands For Long

Blueprint

Cat: BP 041
Released: 
Genre: Techno
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
07:38
134
06:57
134
07:11
134
Entire Release:

Review

Having disappeared from view at the tail end of the noughties, veteran UK techno producer Makaton returned to action last year with the typically bombastic Ra Ra Replica EP on Token. Here, he continues his comeback by delivering a trio of tracks on James Ruskin and Richard Polson's similarly vintage Blueprint label. He begins with the creepy intensity of "Point Suspension", where crackling kick-drums and relentless cymbals combine with ragged, acid-influenced electronics to create a suitably psychedelic mood. Twisted, oddball electronics also form a key part of the slightly deeper and slower - if no less impressive - "Six Feet Under In Love", while "Cold Black Heart" is a quirky chunky of floor-friendly glitch-funk.

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