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No Filter Remixes (Part I)

MARCO FARAONE - No Filter Remixes (Part I)
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MARCO FARAONE - No Filter Remixes (Part I)

Marco Faraone

No Filter Remixes (Part I)

Rekids

Cat: REKIDS 176
Released: 
Genre: Techno
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
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TITLE
LENGTH
BPM
09:08
130
11:48
130
Entire Release:

Review

Rekids has recruited to two very high-profile producers to contribute interpretations to the first remix package from Faraone's 2020 No Filter album. Chris Liebing, best known for running and releasing on the CLR label, is given "No Drama" to rework. In his hands, it morphs into a mysterious, rolling groove that underpins mysterious synth hooks and has echoes of Detroit techno. Mathew Jonson gets the same track to remix. Favouring a more stripped back approach, he drops a complex rhythm that acts as the canvas against which he conjures up atmospheric synths while in the background, the faintest echo of a vocal sample is audible.

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