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MARQUIS HAWKES - Returns
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MARQUIS HAWKES - Returns

Marquis Hawkes

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Dixon Avenue Basement Jams

Cat: DABJ- 1227
Released: 
Genre: Techno
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
05:46
128
04:57
117
04:50
127
06:00
118
Entire Release:

Review

Following a few-action packed years, Mark Hawkins brings his house project back to the label where it all began - Dixon Avenue Basement Jams. Remaining true to the Marquis Hawkes sound, "Rush Hour Traffic" revolves around rough and raw kicks, grainy bass pulses and slow-release siren riffs. On "Moonmin", he brings the tempo down to drop a synth-led groove, while on "Bodywork", Hawkins takes inspiration from Chicago's more minimal sound. Repetitive tones, jacking rhythms and insistent chord stabs make for the kind of primal affair that one would associate with Lester Fitzpatrick. Hawkins remains in this mode on closing track "Marauding Acid", where grimy acid lines and eerie synths recall DJ Skull.

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