Comeme has already released one of the great records of 2015, Lena Willikens' Phantom Delia. Now it's the turn of label owner Matias Aguayo, who delivers the second installment in the El Rudo Del House series. "Tomada" is a rowdy as a bar room brawl in Tijuana during spring break, its drums smashing and crashing with the ferocity of chairs and tables being flung by tequila-fuelled trustafarians. "69 Ground Floor Left" sees the Comeme boss edge closer to the dance floor with a buzzing bass and wired vocal samples, while the hardcore stabs of "Gato Disco" and the hard percussive stomp of Loca Dance is the most techno-centric track. However, soon enough Aguayo lurches back towards the blind-eyed lurch he started with as "Ese Pompin" proves that he's a producer of considerable range.
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