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What Have We Learned

MORPHOSIS - What Have We Learned
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MORPHOSIS - What Have We Learned

MORPHOSIS

What Have We Learned

Delsin Holland

Cat: MMDD 1
Released: 
Genre: Techno
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
07:11
123
2. 
05:32
119
06:15
119
06:34
119
05:11
116
03:44
126
7. 
08:59
116
06:59
120
01:57
133
10. 
07:08
131
Entire Release:

Review

On What Have We Learned, Lebanese producer Rabih Beaini is presented with the same dilemma that every other electronic music artist with lofty intentions faces - namely how his music can make the successful transition to a long-player format. Unlike most of his peers however, Beaini manages to imbue What Have We Learned with a common narrative, despite flirting with a range of tempos and arrangements. That unifying bond is a sombre, atmospheric mood. It's tempting to posit that Beaini was influenced by his residency in Venice - but many of his previous releases have also had a similarly somnambulant quality. Irrespective of its origins, this gloominess is audible on the opener, "Silent Screamer", where a resonating bassline underpins an arrangement that skirts loosely around the edges of conventional house music. It also plays a central role on "Too Far". Featuring freaked out Gothic vocals and tumbling keys, its grungy, primal rhythm makes the connection between modern techno grime and industrial gloom. Yet What Have We Learned isn't a depressing or demanding listen and although his music is pitched at the outer limits of dancefloor centric electronic music, its ethereal tendencies will draw listeners in rather than repelling them.

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