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Pneumatics

ORSON WELLS - Pneumatics
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ORSON WELLS - Pneumatics

Orson Wells

Pneumatics

Live At Robert Johnson

Cat: PLAYRJC 047 D
Released: 
Genre: Techno
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
01:57
120
2. 
05:42
136
3. 
06:14
124
03:19
142
04:50
160
05:19
87
06:36
132
04:58
130
02:27
93
04:12
123
04:15
105
06:28
129
Entire Release:

Review

Lennard Poschmann may not be as famous as his artistic name sake, but as his first album for Live At Robert Johnson shows, he is keenly aware of electronic music's cinematic power. This is audible on the lush ambience of "Welcome" and "Zerphyx", while similarly emotive sounds are underpinned by a hyper-speed, Juan Atkins style rhythm on "Rise" and "A66", where a warm, buzzing bass supports Poschmann's sublime synths. At times, the album veers too close to other producer's tropes - the delicate "Situation" is the most Aril Brikha track ever made - but like his enigmatic predecessor, Wells throws the futuristic electro of "Trianon" and the bleep-laden soundtrack of "Sincere" to keep his audience guessing, in Third Man style, right till the very end.

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