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Plump DJs present Dirty Weekend EP 3

PLUMP DJS - Plump DJs present Dirty Weekend EP 3
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PLUMP DJS - Plump DJs present Dirty Weekend EP 3

Plump Djs

Plump DJs present Dirty Weekend EP 3

Grand Hotel

Cat: GHR 011
Released: 
Genre: Electro House
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
04:57
129
05:45
129
05:02
130
Entire Release:

Review

The Plumps' wide-eared remit continues as they sweep us off our feet for yet another filthy away game. Three cuts in total, each one ticking a totally different party box. "A Hip House Experiment" is no-nonsense four-to-the-floor bass funk with a cheeky vocal refrain and a bassline so juicy it'll stain a hundred sheets. "Rocket Soul" meanwhile sees the duo revisit a classic from their Headthrash album. Retaining the breakbeat rhythm but adding more complexity to the melody, it's a fine contemporisation. Finally we hit their rather naughty remix of Moby's "After"; switching from swinging breaks to a floor-ploughing 4/4 with a bassline so rude it makes Roy Chubby Brown look like the Queen.

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