Since Powell last appeared on his own Diagonal Records label back in 2012 with Body Music, his unique mulch of post-punk textures, industrial techno and jerky no wave beats has taken the world by storm, seeing releases on The Death of Rave and Mute's Liberation Technologies imprint. While Powell's sound to date has been characterised by frenetic, seizure-inducing rhythms, Club Music sees Powell bring things down to a more mixable tempo. "So We Went Electric" is the closest thing to straight techno he's made, though the frazzled textures sound like more Evol than Regis, while the pumped up monosynths that drive "No U Turn" are anchored by an underlying beat and guitar shreds that sound as if they could have come from an old Neptunes beat left to rust. Finally, the Russell Haswell collaboration "Maniac" is as crazed as its name suggests, a shrewd piece of contorted midtempo noise-funk which combines the raw power of both producers brilliantly.
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