Since playing a starring role (often alongside old pal Hans-Peter Lindstrom) in the Norwegian space disco and Scandolearic movements of the mid 2000s, Prins Thomas has wandered off in all sorts of different directions, filling his first solo LP with Krautrock-inspired darkness. This second solo album displays some of the same influences (see the post punk bass and dark percussive builds of "Peppadans 1"), while moving back towards the sound with which he made his name. It's an interesting mix, all told, encompassing intense, paranoid moods ("Bobletekno (Permiks)"), sparse percussive workouts ("Bom Bom"), and shimmering Scandolearic builders (the how do you pronounce "Symfonisj Utviklingschemming"), all wrapped up in his trademark prog rock-influenced production.
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