Prins Thomas's pleasingly varied production career takes another twist here. Having variously helped to define the Scandolearic disco sound, paid tribute to wonky krautrock workouts and recorded some of the best ambient music of the last few years, the Oslo producer has decided to take a different path on "Edmond". An epic split into two parts, "Edmond" combines dense, Sotofett/Bjorj Torske style hand percussion work, electrofunk influenced synths and the producer's usual picturesque melodies to predictably brilliant effect. There's more percussive fun to be had on the wonky, bass-heavy and trippy flipside "Montague Grant", which smothers layered tribal percussion in trippy acid lines, delay-laden synth doodles and deep space chord sequences.
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