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Audiologics EP

RITZI LEE - Audiologics EP
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RITZI LEE - Audiologics EP

Ritzi Lee

Audiologics EP

MORD

Cat: MORD 029
Released: 
Genre: Techno
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
04:47
134
05:07
130
04:48
140
05:02
137
Entire Release:

Review

The latest release on Bas Mooy's label comes from the techno force of nature that is Ritzi Lee. In stark contrast to the modern drone-led style or even some of the tougher industrial variants, Lee's sound is unpredictable and at times lo-fi. "Traction" is a hype-speed ride through rolling techno, underpinned by warped acid and waves of noisy percussion. "Framework" is in a similar vein, but borrows from jacking ghetto techno. "Progress" and "The Challenge" also flirt with unusual structures. The former is Lee's take on minimal house, viewed through a noisy, crunchy prism, while on the latter, he uses a doubled up vocal sample and shifting, panning percussion to create a woozy, queasy sound.

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