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Slam Presents Exhibit 3

Various - Slam Presents Exhibit 3
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Various - Slam Presents Exhibit 3

Various

Slam Presents Exhibit 3

Soma

Cat: SOMA662D
Released: 
Genre: Techno
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player).
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware.
Play Wishlist
TITLE
LENGTH
BPM
05:52
136
06:32
138
05:00
145
05:58
140
04:48
140
06:14
134
06:11
135
05:39
136
06:11
141
Entire Release:

Review

The Exhibit series aims to showcase emerging artists who operate at the raw end of the techno spectrum. While not a new act, label owners Slam get the ball rolling with their own "Exhibit 3", which revisits the raw, jacking sound of their Snapshots release. EJA's "Detachment Theory" represents a more contemporary take on underground techno. Led by a pumping, heads-down groove and relentless, doubled-up claps, it also features mysterious synth builds. Similarly atmospheric sounds inhabit Skjöld's "Stearic Acid" - but on this occasion, they are woven into a stripped back, percussive groove. Favouring a more abrasive direction, ANNĒ's "Keinlicht" revolves around a visceral rhythm and ominous synth lines, echoing vintage Steve Bicknell.

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