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Republica Moderna

SOLO MODERNA - Republica Moderna
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SOLO MODERNA - Republica Moderna

Solo Moderna

Republica Moderna

Galletas Calientes

Cat: GCLP 157
Released: 
Genre: International
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
04:46
113
03:01
107
03:46
92
04:27
64
03:41
112
04:32
107
02:16
97
Entire Release:

Review

Solo Moderna is a Dutch producer who hails from Tilburg, and who specialises in eclectic grooves inspired by world music, or in his words, "cumbia, Afro, ragga, electroting, lo-fi and baile". Accordingly, this album - his third - ranges from the Latin party vibes of 'La Bandolera' and 'Feliz Sintetizador' to the Afro-funk of 'Boum Boum', via doses of 1950s Jamaica ('Mento Moderna'), high-life ('Momento Disco') and more. Hammonds, hand percussion and fluttering acoustic guitars are much in evidence throughout but there are hints, too, of a more contemporary, post-house/techno production aesthetic on cuts like 'Sonido SiD Africano'.

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