HUNDRED IN THE HANDS, The - Red Night
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HUNDRED IN THE HANDS, The - Red Night

The Hundred In The Hands

Red Night

Warp

Cat: WARPCDD 227
Released: 
Genre: Experimental/Electronic
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
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TITLE
LENGTH
BPM
05:28
 
04:27
 
03:10
 
05:59
 
04:23
 
04:03
 
7. 
04:25
 
04:15
 
06:16
 
04:17
 
Entire Release:

Review

After their triumphant 2010 debut, Brooklyn boy-girl duo The Hundred In The Hands would be forgiven for succumbing to "second album syndrome" on this long awaited follow-up. That they don't is testament to their immense talents. Musically, Red Night shifts slightly from their previous output, but retains strong elements of dream-pop, avant-garde alt-rock and Walls-ish wall-of-sound electrinonica. This is best exemplified on the brilliant title track, which pits Eleanor Everdell's dreamy vocals against formidably dubbed-out atmospherics. Elsewhere, there are nods to New York's post-punk past ("Come With Me") and big, near-anthemic singalongs ("Keep It Low"), giving Red Night a formidably well-rounded feel.

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