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A 1000 KEYS

THOMAS BRINKMANN - A 1000 KEYS
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THOMAS BRINKMANN - A 1000 KEYS

Thomas Brinkmann

A 1000 KEYS

Editions Mego

Cat: EMEGO 224
Released: 
Genre: Experimental/Electronic
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
1. 
03:12
60
2. 
05:48
60
3. 
04:36
60
4. 
06:58
78
5. 
05:50
60
6. 
07:24
60
7. 
03:26
75
8. 
03:24
68
9. 
00:45
80
10. 
03:27
70
11. 
00:44
60
12. 
03:35
64
13. 
08:12
80
14. 
04:37
60
15. 
02:17
77
16. 
03:59
60
17. 
05:52
60
18. 
01:27
87
Entire Release:

Review

On his newest release for avant electronic powerhouse Editions Mego, German minimal techno legend Thomas Brinkmann. Brinkmann digitally recreated the timbre of a grand piano and then subjected the synthetic sound to a brutal MIDI workout. Also of inspiration were airport terminals, or as he named them 'no-places', and their sterile surroundings devoid of any personality or soul which informed the track titles. The album sits somewhere between mystique concrete, glitch and death metal drumming, if you can imagine such a thing.

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