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We Are Lost

Various - We Are Lost
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Various - We Are Lost

Various

We Are Lost

Lost & Found

Cat: LF 099D
Released: 
Genre: Balearic/Downtempo
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player).
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware.
Play Wishlist
TITLE
LENGTH
BPM
07:48
124
06:53
122
08:02
124
08:04
120
07:40
122
08:25
122
Entire Release:

Review

Lost & Found main man Guy J is in a celebratory mood, in part because the label is on the cusp of hitting a century of releases. He may well have something special planned for release 100, but first, there's the small matter of 'LF099' - this expansive compilation of previously unreleased gems in the imprint's trademark style. Guy J naturally sets the tone with pleasingly wonky, moody and mind-altering opener 'Metal Dreams', before Chicola drops the melody-rich progressive house of 'Dreams For Breakfast' and Guy Mantzur goes deep, tech-tinged and hypnotic on 'Love in a Bottle'. Highlights continue to pop up throughout, with our picks including the rushing, sun-splashed gorgeousness of Eli Nissan's 'Valley of the Winds', the trance-inducing deep-tech wooziness of Khen's 'Golden Key', and the low-slung brilliance of Guy J's 'Illusions'.

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