Brand spanking new remix package of Ede & Deckert infectious new wave post-punk anthem "Immer" has landed and receives the deluxe treatment with a diverse array of remixers giving their own spin to the tale of lover's emotion! Berlin's Narciss delivers two distinct interpretations, showcasing a fearless approach to emotional peaks with delightful precision, while the Venice Remix busts out some vintage charm, perfect for primetime - oh yeah. A Salford version caters to a more rugged dancefloor environment, let's say, while Cinthie's grassroots house rendition takes it back to basics with a nod to DJ Duke. Alongside that we have a Curses Vocal remix that maintains the original vibe while switching up the language, allowing Kid Simius to then add a playful touch of sound reminiscent to Miami Sound Machine and Yazoo!
Ede and Deckert's wholehearted 2023 tribute to "80s alternative dance music", 'Immer', has been given the remix treatment. Narciss provides two contrasting takes: a 'Venice' version that re-imagines 'Immer' is a throbbing, all-action indie-dance anthem in the making (think Phones remixing the Futureheads, and you're close) and a grittier, delay-laden 'Salford Mix' that sounds like a tribute to Factory Records post-punk-dance period. Elsewhere, Curses deliver a mix that joins the dots between dreamy synth-pop and low-slung post-punk disco, Kid Simius joins the dots between proto-house and Hi-NRG, and Cinthie turns the track into a nostalgic, suitably sizable, big room house anthem.
Cal Gibson AKA Secret Soul Society returns to French label Citizens Of Vice with four new cuts that throw a proper melange of styles into the blender. 'On The Way To Memphis' is a squelchy, midtempo affair with a soul/blues-style vocal about "leaving Georgia" and being "halfway to Hollywood", yet curiously also has something of an 80s pop feel. 'Ruby Blues' is a dense, shuffling number that bites the vocal from Reuben Wilson's 'Got To Get Your Own' from 1975 and 'Feel The Need' is a sweeping, dramatic slab of synth-disco, while finally 'Whole Wide World' brings the full-on indie-pop vibes.
With UKG being the undeniable sound of the UK underground dance scene right now, compilations such as this latest box from R U SRS are an absolute gold mine for DJ's across the country, with this particular collection featuring 26 rave-ready belters. Artist wise, the quality level is looking super high, with the likes of Romey, BWK Project, Brent Kilner, Jay Ward and more all lending their hands, with the overall energy levels being through the roof. Although there are a lot of top quality drops to choose from, our highlights would have to include the free-roaming synth warbles of Kusha's 'Be Free', next to Syneater's wonky sound design across 'Feel Good' and Jay Colyer's sub-heavy bumper in 'Don't Want Me'. A very tasty affair.
"Gentle Riot," a collaborative effort between Sasha Rome, Artemis Orion, and Mayari on the Future Disco label, is a genre-bending exploration of empowerment and self-acceptance. This single transcends the boundaries of traditional disco, offering a unique blend of electronic soundscapes, soulful vocals, and empowering lyrics. The track opens with a deceptively gentle introduction, featuring shimmering synths and a steady bassline. As the song progresses, the energy builds, with pulsating drums and driving percussion taking center stage. This juxtaposition between the "gentle" and the "riot" perfectly captures the essence of the title, highlighting the power of quiet strength and inner resilience. Well-crafted and engaging single that delivers a powerful message wrapped in a delightful sonic experience.
Paul Morricone is clearly in no mood to suffer fools gladly here. With his powerful lungs turned up to 11 he lambasts anyone "standing still/or stopping suddenly" with just a hint of mischief and irony, we suspect. With a bed of Barry-esque strings and shitkicking backbeats, everything from an unhinged sax solo to the occasional outburst of guitar and a piano outro to put Liberace to shame makes an appearance somewhere, making this an embarrassment of unexpected musical riches. If his forthcoming album 'Go Sanction Yourself' is anywhere near the same standard as this, it'll be worth a listen.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.