Berlin's Superlover's hit track 'Piano Pump, blending house and Italo disco, was originally released in 2019. This time, the esteemed Italian duo NiCe7 takes the helm. Renowned for their releases on respected labels like Crosstown Rebels, Snatch!, and DFTD, as well as their remarkable remixes for artists such as Claptone and Jon Cutler, NiCe7 brings their signature touch to 'Piano Pump.' The remix retains the original's irresistible charm while breathing new life into the composition for modern-day soul-seekers yearning for the dancefloor.
Earlier in the year, Good Vibrations music founder Sean McCabe offered up his interpretations of tracks from Blak Beatniks main man Harold Matthews Jr's excellent debut album, 'Peripheral Visions'. For this second selection of 'Re-visions', McCabe has assembled a crack team of remixers. Rising star Piers Kirwan steps up first to rework 'Into You', placing the spoken and sung vocals above a dreamy and sun-soaked fusion of deep house and broken beat. Wipe The Needle fuse bruk and jazz-funk sounds on their excitable take on 'Love And Hate', before Haze City delivers a genuinely atmospheric and ultra-deep interpretation of 'Deep Into My Sleep'. To round things off, we're treated to an instrumental version of Kirwan's superb, EP-opening 'Into You' remix.
The British house pioneers Heller & Farley carry on revisiting some of their classics cuts. This time, after three decades, their timeless underground anthem 'Wild Luv' from 1994 is reborn in 2023, courtesy of the legendary Harry 'Choo Choo' Romero from New Jersey. Embrace the hypnotic rhythm and undeniable groove of Romero's reimagining, as he masterfully blends nostalgia with contemporary flair.
Having previously remixed each other, it was only a matter of time before the legendary Josh Wink popped up on Jimpster's similarly storied Freerange Records imprint. Apparently recorded with summer spins in mind, 'The Half Full EP' combines elements familiar from previous Wink workouts - acid lines aplenty, trippy electronics and driving drums - with a big dose of sci-fi stargazing and sun-soaked deep house tropes. Our pick of the bunch is lead cut 'Automatic Journeys', an acid-fired deep house driver with a dash of Detroit machine soul thrown in, though the tribal-tinged, TB-303-powered trip that is 'Pan Gloss' pushes it close. The deliciously deep, warm and woozy 'San Guine' completes a rock-solid package.
Released to coincide with the sixth anniversary of his passing, Back is the final album from Trevino aka Marcus Intalex. It documents his love of house and techno, as well as his ability to carve out unique perspectives on these sounds. While those views are influenced by Marcus' drum'n'bass background - check the crisp break beats of "Pitch Dark" - a love of dubby textures is audible on the hypnotic swing of "No Response". "Eve" sees Trevino swing towards raw, reduced techno while "Gateway" sounds like his take on the percussive rhythms of Octave One. Sadly but fittingly, the closing track is called "The End". But rather than just evoke grief, its melancholic melodies bring the curtain down on the life and music of a remarkably talented artist.
Don't be misled by the title here... this EP from Curitiba-based Barbara Boeing proudly displays her Brazilian musical heritage for sure, but wishy-washy sambas and lounge-y bossa novas are conspicuous by their absence, with all of the EP's three tracks and five mixes rooted firmly in house music. Opener 'Brigada', for instance, pairs shakers and maracas to a hefty dark garage organ line, then gets sprinkled liberally with piano. 'Brasiliana' itself is a dreamier affair with something of an 'E2-E4'/'Sueno Latino' kinda feel, before 'Bailo De Silencio' marries exuberant sax to pounding drum machine beats that nod to favela funk.