Review: Finally! Motor City Drum Ensemble aka Danilow Plessow drops the Raw Cuts series into one neat little package. Ubiquitous in 2009, the series showcased the Stuttgart native's ability to combine warm pads and luscious synths to create a house sound with a decidedly classicist tip. On this EP you'll also find two new jams from the Plessow-produced Jayson Brothers and a couple of new MCDE tracks, the highlight being "Prayer".
Review: Four excellent new funk/soul/disco bombs from the Whiskey Disco label, with some surprising covers and peerless edits for your aural delectation. Anthony Mansfield sets about deconstructing a fresh cover of "Hercules" by Aaron Neville, while fans of Philly/Al Green-esque slow '70s funk will love Cosmic Boogie's soft-touch edit of "How Can You Say Goodbye". Rayko ups the tempo a little with his mix of the boogie wonder "S&M (Sexy Music), while WD label-head Sleazy McQueen has a lot of fun with Stevie Wonder's "Do I Do", looping up instrumental sections just right for a new perspective on this classic Stevie joint.
Review: As the title suggests, this five-tracker from the previously re-edit-happy Editorial imprint showcases slo-mo disco/house crossover cuts from a selection of mostly little-known producers (the fast-rising Matthew Kyle aside). For those who've been digging the superb releases of labels like Sleazy Beats, Wolf Music and Instruments Of Rapture, Slo-Motion Potion comes highly recommended. It's largely impressive stuff, with DJ Butcher's epic "Shake Your Body", Kyle's deliciously sensual "Off My Mind" and 78 Edits' heady opener "Come On Baby" standing out. That said, the whole package is well worth a listen.
Review: Ninja Tune have assembled a truly exceptional line-up of producers for this full remix album of Bonobo's Black Sands, with exclusives from Duke Dumont, FaltyDL, Machinedrum, Mark Pritchard, Cosmin TRG and Floating Points all shining very bright indeed. With such a stellar cast, highlights abound: Banks' adds a glacial chill to the Andreya Triana-vocalled "The Keeper", Cosmin TRG works "Kiara" into a bubbly and gut-wrenching Detroit fantasy while Floating Points lends a deep, jazz-step vibe to "Eyesdown". In contrast, and in full on hazy-juke mode (ahead of his forthcoming Planet Mu collaborations with Om Unit), Machinedrum kills it with his own steroid-popping mix of "Eyesdown", while Duke Dumont rounds off the album with the exquisite beatless time stretch of "Black Sands". Highly recommended.
Review: In preparation for a much awaited debut album from Tiger & Woods, it seems pertinent for Running Back to revisit where the phenomenon began in the shape of "Gin Nation". The highlight of the duo's Caddy Shag EP, which has long since sold out, "Gin Nation" remains as potent a dancefloor weapon now as it was upon release. Those eager to hear what is on offer with Through The Green will delight in the inclusion of "Kissmetellme" which is a dizzying example of the duo's talent for reshaping source material. Check the additional "Kissmetellmemore" dub version for a beefier take!
Review: In recent times, many have tried to copy the Tiger & Woods formula, but no one has yet come close to matching the sheer heaviness and timeless quality of their loopy, edit-heavy productions. For proof of their genius, just check this debut full-length. Featuring a mix of new cuts and tracks culled from their previously mysterious white label releases ("Gin Nation" etc), Through The Green offers a lesson to would-be copycats in how to turn a bagful of boogie and electrofunk samples into party-rocking disco/house gold. The beats and basslines are heavier than a skipload of sumo wrestlers after a night at an "all you can eat" buffet, the loops addictively hooky and the builds judged to absolute perfection.
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