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Review: Bondax's "Journey" on Future Disco isn't just an album title, it's an experience. This LP marks a decade in the game for the UK dance duo, and "Journey" reflects that beautifully. It's a blend of their signature sounds with fresh influences, all wrapped in a future-disco sheen. The album kicks off with the previously-released banger "Don't Want It," setting the pace with driving rhythms and those classic Bondax synths. Tracks like "I Only Have You" showcase their versatility, featuring smooth vocals from Eno Williams that blend seamlessly with their sonic palette. A true highlight is "Fade" featuring SHELLS. Flanging guitars and entrancing beats create a mesmerizing soundscape, perfectly embodying the album's exploration of diverse sounds. "Yabaal to London" is another winner, a funky fusion of 80s disco and modern production with the Dur-Dur Band. It's impossible not to move to this one. It's a genre-bending album that pays homage to disco's roots while offering a fresh, modern take. Packed with infectious beats, captivating vocals, and stellar production, this album is a guaranteed dance floor filler and a must-listen for fans of electronic music with a touch of nostalgia.
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197338 096475
22 Mar 24
Disco/Nu-Disco
22 Mar 24
Disco/Nu-Disco
Review: The future of Argy has arrived in the Afterlife. With a strong connection to the platform of late with albums and releases like Tataki, Pantheon and Aria next to the collaborative gem Higher Power - Argy has officially arrived. With this album in particular pitched as the artist's magnum opus, New World proves to be a fusion of human emotion inter-mixed with and AI innovation. Going large for those Afterlife sets no doubt, a techno futuristic and modern melodic Argy sends in 14 large scale tracks for the stadium space - ie "No One's Coming" and "Higher Power" - to the bad ass vampire acid in "Wilderness" or Juan Atkins Cyberton reflections in Tibet - Rad!
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AL 090
15 Mar 24
Minimal/Tech House
15 Mar 24
Minimal/Tech House
Review: Dombrance has spent the last few years making music inspired by imaginary French politicians of the 1960s, '70s and '80s. To round of the project, he's pitched up on Discolypso to share the final two tracks - and a wealth of remixes. 'Bayou' is a certified throb-job in which alien-sounding synths and heady vocalisations rise above a pulsating, Italo-disco groove, while 'Cope' is a darker, techno-tempo workout rich in analogue electronics and driving grooves. There are too many remixes to mention them all, but our picks include Lindstrom's breezy, electrofunk-influenced Norse disco take on 'Bayou', Baldelli and Dionigi's hybrid dub disco/Afro-cosmic take on the same track and Francois K's suspenseful, stretched-out, slow-build revision of 'Cope'. Throw in a deliciously druggy, Italo-disco-goes-rave revision of the same cut by Diskjokke, and you have a genhinely brilliant package.
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DLYPSO 20
01 Mar 24
Disco/Nu-Disco
01 Mar 24
Disco/Nu-Disco
Played by: Juno Recommends Deep House
Review: As anyone who has followed his career will tell you, Cor.Ece is a talented chap - a GRAMMY award-winning songwriter (he has enjoyed mega-hits with his work for Beyonce) and Honey Dijon collaborator who also happens to be a top-notch vocalist, producer and musician. On 'Be Here Before', he joins forces with Bastard Jazz regulars Bad Colours to deliver a fabulous full-length excursion. They set the tone with 'Say Yea', a constantly rising slab of soul-fired deep tech-house, before flitting between intergalactic house-soul ('Mars'), 21st century hip-house/nu-disco fusion (the ace 'What Happened To The Revolutionary'), UKG-influenced excellence ('Jeans'), Afrobeats-adjacent awesomeness ('Might Could'), slow motion boogie-soul ('Mt Miss U') and much more besides. Tip!
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674276 519810
22 Mar 24
Deep House
22 Mar 24
Deep House
Review: Fabrizio Mammarella and Rodion deliver a momentous release with Musica E Computer - recorded in the legendary Marche Synth Museum in Italy. The opening track "Iris" sets an exceptional tone, exploring eerie, metallic tropical landscapes, while others like "A Corrente Alternata" and "Un Segnale Di Speranza" showcase Mammerella and Rodion's unmatched partnership, crafting enigmatic, timeless earworms with driving basslines and arcane vocoders. Throughout the album, the duo seamlessly blends synthetic and organic sounds, offering a geographic coda to the Italian region's rich musical history. Musica E Computer culminates in "Una Nuova Era", a transcendent homage to the recording synth drenched studio the album was recorded in which makes for some Italorama to the fullest!
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SLOMO 052
18 Apr 24
Electro
18 Apr 24
Electro
Summer Vibe EditsEXCLUSIVE
Review: Despite the title there's no particular discernible 'summer' theme to this latest batch of re-edits from German maestro Alkalino, but that's probably just as well - after all, no one wants to hear 4/4'd up remakes of holiday 'classics' like 'The Birdy Song' or 'Agadoo', do they?! Instead the Audaz boss serves up another typically classy bunch of reworkings, drawing on sources that include Change ft Jocelyn Brown's 'Angel In My Pocket' ('I Remember All So Clearly'), Lenny Williams' 'Midnight Girl' ('The Music Plays And Plays'), Central Line's 'Walking Into Sunshine' ('I Got To Get Away') and Talking Heads' 'Seen And Not Seen' ('A Larger Forehead'), to name but a few.
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AUDAZSUB 33
23 Feb 24
Disco/Nu-Disco
23 Feb 24
Disco/Nu-Disco
Played by: Irregular Disco Workers, FINGERMAN, Disco Tech (DiscoDat), Juno Recommends Disco, Rayko, FRAN DEEPER, Mark van der Ree, Saint-Loup-en-Bray
Review: Given the prolific output of his Rare Wiri label, it's a wonder Rayko finds time to get in the studio at all. But he does, regularly - and when he's not producing synthy, 80s-flavoured nu-disco jams of his own, he somehow also manages to fit in the odd cheeky re-edit or 20! Here, then, a score of such reworks are served up for your listening and dancing pleasure, with the emphasis firmly on lesser-known gems - sources include Ann Peebles, Diana Ross, Quincy Jones, Break Machine, Michael Sembello and Earl Flint, as well as US folk-rocker Barbara Keith's version of 'All Along The Watchtower', but there are plenty more that will have to go unidentified. Suffice to say, though, that if funk, disco, boogie, electro and pop from the 70s and 80s float your boat, this collection will leave you positively buoyant!
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RW 232
05 Feb 24
Disco/Nu-Disco
05 Feb 24
Disco/Nu-Disco
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409996 4023350
19 Apr 24
Disco/Nu-Disco
19 Apr 24
Disco/Nu-Disco
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HFN 166LPDS
05 Apr 24
Balearic/Downtempo
05 Apr 24
Balearic/Downtempo
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KTFR 001
12 Apr 24
Funky/Club House
12 Apr 24
Funky/Club House
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761009 6013667
29 Mar 24
Euro Dance/Pop Dance
29 Mar 24
Euro Dance/Pop Dance
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361738 5312931
05 Apr 24
Disco/Nu-Disco
05 Apr 24
Disco/Nu-Disco
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PKT 261
29 Mar 24
Disco/Nu-Disco
29 Mar 24
Disco/Nu-Disco
Review: Melbourne, Australia-based DJ/producer Ken Walker - the possessor of perhaps THE best artist moniker in the game - follows up last summer's debut full-length 'Discopolis' with a second volume that's every bit as essential. Rocking an overall vibe somewhere between contemporary (rather than 'nu') disco and disco-house, the album opens with 'What In The World', which nods to The Police's 'When The World Is Running Down', and closes with 'Saxophonica', which marries the risque spoken vocal from Jimmy Z feat Dr Dre's 'Funky Flute' (which also appears on 'Blow It') to the sax line from Men At Work's 80s hit 'Who Can It Be Now?'. It's fair to say our Ken isn't averse to dropping the odd familiar sample, then: in fact, the 15 cuts here blur the lines between sampling and re-editing. But trust us, the dancefloor's going to be far too busy dancing to worry about that.
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BCM 214
23 Feb 24
Disco/Nu-Disco
23 Feb 24
Disco/Nu-Disco
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BEC 5613827
25 Mar 24
Disco/Nu-Disco
25 Mar 24
Disco/Nu-Disco
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BEC 5613828
25 Mar 24
Disco/Nu-Disco
25 Mar 24
Disco/Nu-Disco
![Gotterfunken (Deluxe Edition) [Instrumentals]](https://imagescdn.junodownload.com/150/CS6525704-02A.jpg)
Transgenre EditsEXCLUSIVE
Played by: Kraak & Smaak, Irregular Disco Workers, ROMANTO (YSR / DISCO MACHINE), Juno Recommends Disco, Kongisto
Review: Although Alkalino has re-edited all sorts of music over the years, disco, boogie and Italo-disco tracks have always been his bread and butter. He's taken a different path on his latest release, offering up 'Transgenre Edits' that touch on a wide variety of sounds and styles. There's much to admire throughout, from the 105 BPM conscious soul-goes-dancing headiness of 'Songs That I See' and the weirdo disco-rock-goes-Italo-disco throb of 'Angry Eyes' (a take on a legendary 1979 by Skatt Bros) to the effervescent jazziness of 'Sad Sax' (an edit of the track sampled by Mr Scruff on 'Get a Move On'), the muscular, mind-mangling synth-disco throb of 'Angel Dust' and the bouncy Tango-disco rush of 'Funana'.
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AUDAZSUB 32
12 Jan 24
Disco/Nu-Disco
12 Jan 24
Disco/Nu-Disco
