Review: Honorio first made his name as a drum'n'bass producer, but as Endless Love demonstrates, he is also adept at making dance floor techno. The title track features Theo Nasa's ominous vocals unfolding over robust tribal drums and dynamic percussive twists, making for a moody techno track. "Gunz Blazin" is a house-influenced affair. Led by filtered samples and a rolling groove, it reveals a lighter side to Honorio's sound. On "Stabbed In The Heart", he opts for a deeper approach - focused on tribal drums and spaced-out synths, it's an expertly measured homage to Octave One. The release also features a sleek, steely take of the title track by label owner Len Faki under his Hardspace alias.
Review: The latest split release on Analogue isn't designed for the faint-hearted. Dax J's "Ares" gets the EP off to an intense start. Powered by the hardest drums this side of Synewave, there is some relief in the form of the moody house organ that is woven through the arrangement. On "Kal", Kaiser dispenses with musical elements in favour of a relentless tribal rhythm - like a high-paced take on vintage Octave One. Meanwhile, ANFS' "Amete" is centred on a brooding, ebm-style bass and cavernous sound design. Maintaining the same energy but utilising a different approach is Jerm's "Kaki", a pounding rhythm track.
Review: Monty Luke's Nightdubbing project on Rekids was designed to showcase the Black Catalogue boss's deep love of dub-infused house and techno. This 13-track album combines previously unheard cuts with nine tracks previously showcased across a pair of EPs of the same name. It's a fantastic set all told, with highlights including the smacked-out electro-dub headiness of opener '40 Acres and a Terrabyte', the extra-percussive deep dub-house hypnotism of 'Bob Molly', the after-hours friendly minimalism of 'Star Storms', the Detroit-goes-dub techno pulse of 'New World/Old Future', the classic dub techno warmth of 'Dark Paradise', and the dub-wise deep house dreaminess of 'Avantgarde Dancehall'. Throw in a handful of tidy ambient and digital dub tracks, and you have a genuinely superb long-player.
Review: As is the case with previous EPs, the latest collaboration between Pfirter and Oliver Rosemann is named after a letter in the Greek alphabet. "Epsilon 1" is a dense track, with looped tones and relentless percussion unfolding over a jacking rhythm. The second "Epsilon" is more intense, as ominous waves build and build over resonating kicks. The release also features two stellar remixes. Lakej's take on "Epsilon 1" resounds to high-pitched percussive slivers and a hammering metallic rhythm. Meanwhile, seminal producer Sleeparchive turns "Epsilon 2" into a relentless Millsian workout, led by nickel plated kicks and foreboding, filtered drops.
Review: The second instalment of Len Faki's remixes see the storied techno producer tap his favourite artists to re-interpret his work. Luke Slater's Deep Heat take on "Shri Yantra" is redolent of his classic Planetary Assault Systems work, with firing percussion and dramatic break downs to the fore. In contrast, Amotik's version of "Make Me Scream" follows a heads-down approach, with haunting vocals wrapped into a bleep-heavy, rolling groove. In contrast, ANNA's remix of "Hymn" is a tranced out, big room track. At the other end of the spectrum, Modeselektor's interpretation of "Don't Be Stupid Day" is a moody electro stepper, led by waves of menacing low end.
Review: Following their collaboration on his 2022 album, Patanjali, Berlin-based techno producer Amotik teams up again with Tina Ramamurthy. "Chauhattar" resounds to robust tribal drums and a clanging bass, with mysterious vocal samples woven into the arrangement. On "Pachattar", the approach is deeper, with more understated kicks providing the basis for repetitive, tripped out loops. While the Amotik series is typically focused on dance floor techno, this fourteenth instalment also sees the duo explore a more esoteric sound with "Chihattar". Based on a gentle, undulating groove and dreamy, soft-focus textures, it also features stream of consciousness vocals throughout the effortless arrangement.
Review: Wehbba is launching HIFN, a new 'platform' to connect music and literature. The first release from the artist himself was recorded while he was on tour. The title track is built on Wehbba's trademark tribal beats, with its pumping electronic rhythm and rolling snares providing the backdrop for rave stabs and buzzsaw riffs. It makes for a visceral, exhilarating affair. On "Frozen", the Brazilian producer opts for a more dystopian sound, with a synapse searing riff combined with a driving rhythm. And in keeping with the overall approach for HIFN, the release also features "Nitro Wordscape", where eerie textures and a mysterious vocal narrative prevails.
Review: Never let it be said that Robert Hood is letting his listeners languish in a sonic comfort zone. The veteran producer's latest EP under his own name starts with a jolt, as the title track deploys pounding, industrial drums and a chain metal rhythm. "Pathetic" is just as intense. Based on a relentless groove, it sees Hood deploy a spiralling chord sequence that filters its way to a spine-tingling finale. "Outsider" is based on a similar premise, but this time hollowed out drums support a niggling build. This release effortlessly shatters the assumption that Hood would continue to focus on the less abrasive, house-influenced Floorplan project.
Review: SHDW's label marks its twentieth release with this weighty compilation. Drawing on some of the most respected names in techno, volume three is full of peak-time bangers. There's the lean, rolling techno of Chlar's "Inside Us", while Dax J showers the listener with waves of acid tones on the steely, peak-time "Celestial Dub". The Advent's "Randomized" is a bruising and quite brilliant industrial techno workout. While Blawan's hyperactive "Don't You Dare Squawk At Me" hovers just below the 160 bpm mark, not all of the compilation is as intense. Vocals are mixed with chiming chords on Gary Beck's "Fold" and Z.I.P.P.O's "Broken Game" is a deep Detroit techno track.
Review: Following last year's Half Full release, Hurdslenk returns to Hardgroove. Outside gets off to an exciting start thanks to "Futures". Centred on a throbbing bass and steely hi hats, this pulsating peak-time track is sure to stand out from the crowd. "Jugular" is more visceral. With a dense rhythm at is core, it sees Hurdslenk weave in layers of rasping percussion and intense filters. "Collect" marks a departure for the Hardgroove sound. Its stripped back, jacking sound sounds like Hurdslenk's take on early 00s minimal house. It's only a brief divergence though. "False Pretence" is led by a frenetic rolling groove, while the use of dramatic chords and a stuttering vocal sample will set it apart from most hard-edged techno.
Review: Ostensibly a response to techno being 'in such a sorry and predictable state', Full Pupp's latest compilation goes off in a number of wonderfully captivating tangents. Label owner Prins Thomas' "Mere Apokalypso" is a tripped-out groove, while his take on Synk's "Tool Mix" is an acid-laced chugger. In contrast, JaddajaddaPlay's "Bird No Bird" goes down a percussive route. Despite the title, techno does make an appearance. Blackbelt Engh Rhythm Combo's "Frydenlyn" is a rolling tribal affair, while trance influences bubble to the surface on Christian Engh's dubbed out "Khonsu" and Karolinski's high-paced, melodic "Slutt A Mase Eg Har Ikkje Spelt Pa Ei Veke".
Review: Next up on Binary Cells is Klint with this hard-hitting release. The pounding, industrial rhythm of "Atlas" gets Son Heros off to an intense start. There is no let-up on "Mental 89", where Klint drops a dense, banging track. While the title track integrates trancey riffs with robust tribal drums, it is still primed for the dance floor. On "Supervision", Klint continues this approach as a surging bass ripples its way through a looped groove. There are some exceptions to the prevailing intensity: "Requiem RK" is a heads-down ebm workout, while "Cinq Sections" is a dub-influenced track, but one that still packs quite a punch.
Return Of The Luddites - "Scream Into The Darkness" - (4:52) 139 BPM
Review: Laurent Garnier and Scan X's label does a great job in showcasing emerging and established talent, and this split release is no exception. The brilliantly named Return Of The Luddites deliver the raw electro-techno of "Scream Into The Darkness". In stark contrast, Detroit techno-inspired tracks also loom large, courtesy of Skatman's string-filled "Tribute To A Dancefloor" and Squal G's more ominous "Waiting 4U". Mirroring Garnier's own wide-ranging tastes, the release also features the call and response hip-hop/drum'n'bass crossover of Joaquim Plossu, Salem Focus and Phoebe Train's "Theory Of The Tide". Taking the tempo down, Yes Basketball's "Next" is a slowed down, bugged out beatsy track.
Review: Twenty-three years since he initially released Dispatches on his own Geophone imprint, Mike Parker's debut album gets a timely reissue on Field. Listening to his debut album is a reminder of how it remains the corner stone for much contemporary techno. Parker's use of sparse rhythms is audible throughout, as is the cavernous, at times all-encompassing sound scapes he designed. While there are references to some previous techno canons - a hint of Plastikman acid in places, or echoes of Sahko's repetition - Dispatches really is in a field of its own. That it manages to still sound not just relevant but also revelatory is testament to Parker's unique talent.
Review: Dustin Zahn returns to Blueprint to deliver a four-tracker that resounds to understated force. "Rotator" is an atmospheric, rolling track. Led by dense, tribal drums and featuring mysterious synth lines, it's a subtle but impactful track. "Conduit of Chaos" is based on a similar premise - although on this occasion, the rhythm is more stripped back and is powered by impactful claps. The pulsating, clanging bass at the heart of "Catharsis" lends it the requisite punch for its flowing groove. The title track is the most up-tempo track on the release - and it sees Zahn deliver a gradually building, vocal-sampling percussive sucker punch.
Review: L.F.T. makes a bold statement with his latest six-track release on Pinkman, following a string of acclaimed releases on various labels like Mannequin and Return To Disorder. With Electric Vampire, L.F.T. crafts a sonic journey aimed squarely at the dancefloor, blending tough drums and raw basslines with spectral vocals and percussive quirks. The result is a fusion of Dutch electro heritage and horror-movie soundtracks, creating a synthetic super-highway where bright lights meet solid concrete underfoot. With heavy acid electro defining the sound of other numbers like "Cattle Beast", it's straight up Vampire techno in "Asche (Vox by Nils Fock)" with reflections of a Simian Mobile Disco sound in "Demonic Toys". Gritty but classy productions all round.
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