Review: Monty Luke's Nightdubbing project on Rekids was designed to showcase the Black Catalogue boss's deep love of dub-infused house and techno. This 13-track album combines previously unheard cuts with nine tracks previously showcased across a pair of EPs of the same name. It's a fantastic set all told, with highlights including the smacked-out electro-dub headiness of opener '40 Acres and a Terrabyte', the extra-percussive deep dub-house hypnotism of 'Bob Molly', the after-hours friendly minimalism of 'Star Storms', the Detroit-goes-dub techno pulse of 'New World/Old Future', the classic dub techno warmth of 'Dark Paradise', and the dub-wise deep house dreaminess of 'Avantgarde Dancehall'. Throw in a handful of tidy ambient and digital dub tracks, and you have a genuinely superb long-player.
Review: Acid house in sound but punk in nature, the title of Paranoid London's new album is a reference to "the cavalcade of c***s we find ourselves surrounded by". However, while there is despair there is also hope, and this long player is testament to the power of underground music. Arseholes...also demonstrates the importance of collaboration. Bobby Gillespie croons his way through the gentle tones of "People (Ah Yeah)". At the other end of the sonic spectrum, Joe Love and DJ Genesis feature on the gnarly, 303-led grooves of "Love One Self" and "Up Is Down" respectively. Somewhere between these polar opposites sits the evocative Chicago house sound of "Start To Fade" with Josh Caffe and Mutado Pintado's sonorous vocals on the pulsating "The Motion". Paranoid London proves yet again that when confronted by a***holes, music really is the only answer.
Review: Laurent Garnier, Scan X, and Oliver Way's COD3 QR label remains fresh as ever with a new various artist release that brings eleven hand picked cuts from the likes of Bel Air Ltd., Tal Fussman and Jules Wells to Alex Troniq, Fanu, Voltaire, Carlos Nilmmns and Inner Ray! Lead cut "City Lights" kicks off with some deep and melancholic bassline house next to some moody techno reminiscent of early Ben Klock in "10247". "The Clap" delivers some footwork inspirations next to some spookier electro wares in "Neophile" - banging. "Pisecean" gets all breakbeat and new age in the mix alongside some warehouse techno in "Regular Disturbances" alongside some melodic 'Mathew Johnson' inspired sounds in "Old Paris". Closing out the EP is "What" - a British Murder Boys-esque slice of Middle Eastern themed gothic EBM.
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