Review: Here's another must-check missive of lesser-known and hard-to-find material from DJ Kaos's Jolly Jams label, curated with love by the man himself. Over the course of 12 tidy tracks, we're treated to ambient lusciousness (Superpitcher remixing Kaos's own 'World Turning'), deliciously dubbed-out proto-house (the 'Warehousin' Mix' of Split Secs' 'I'm Not Losing'), mind-mangling psychedelic electronic disco-meets-acid house (Red Axes' 'Promo Only'), dub disco (Slaves of Love and Tavish, whose 'Raw Seduction' is genuinely superb), soaring disco edit action (Spring Break Edit), Sylvester pitched-down and blissed out (Balearic Skip), Kenny Hawkes-ish disco-not-disco eccentricity (Luke Solomon remixing Richard From Milwaukee) and ragging acid tracks (Danny Russell & Timothy Alexander).
Review: Following years spent flitting between labels including Toy Tonics and Razor N Tape Reserve, COEO make their bow on Shall Not Fade. In keeping with the Bristol label's approach to digital releases, it's an expansive and action-packed affair. Title track 'Planet Earth' is one of the Munich-based duo's more forthright cuts to date - a thrusting, bongo-laden techno tempo rave workout propelled forwards by an insanely good (and rubbery) electronic bassline and psychedelic acid lines aplenty - while 'Satellite Bay' sounds like a cross between early '90s synth-pop, Kraftwerk and Euro-dance. Elsewhere, 'Rush Hour' gloriously joins the dots between hip-house, vintage MK productions and the Pet Shop Boys' Relentless' album; 'Kawasaki Racing Club' combines breakbeats and early UK progressive house sounds; and 'The Stage Is Yours' is a head-nodding, midtempo acid breaks affair.
DJ Poolboi & DJ Cinema Quartier Latin - "Know Each Other So Well" - (4:21) 124 BPM
The Joy You Once Felt - (2:59) 120 BPM
Build A Life Together - (2:57) 122 BPM
Review: Although it might still be too soon to call Texan producer DJ Poolboi a legend, his music is certainly starting to lean the way of legendary, with lo-fi house the artist's trademark. It's the boi's third album in four years across three labels and first on Shall Not Fade in which he's become something of a figure head, and Into The Blue Light signals potential for AOTY (Album of the Year). Filled with deep and impactful emotion, melancholy and warmth, it's a long player that pulls at the heart-strings while firing up the dancefloor with chords, keys and melodies that hit those sweet spots, while booming in kick, bass and drums. Highlights include opener, "Won't Let You Ruin My Mood", the pop-aqua rave of "For The Last Time" and some piano-driven Moby inspirations in "The Joy You Once Felt".
Why Does That Chord Play When I Bounce - (3:21) 122 BPM
Sakura - (5:09) 121 BPM
Review: Manchester-based Loz Goddard returns to the spotlight in celebration of Dirt Crew Recordings 20th anniversary (Dirt Crew Recordings - 20 years? No way!). It marks a comeback for the producer after a notable debut collaboration with Harry Wolfman in 2016. Known for his unique blend of electronica, deep soundscapes and lush and organic deep house, Goddard has graced labels like Oath, Razor N Tape and Church on his musical journey, presenting here for DT a captivating mini-album featuring beautifully crafted ambient and electronica pieces alongside three energetic tracks. Inspired by a night at the White Hotel in Salford watching Skee Mask, Goddard goes deep on six compositions, offering listeners a journey through a new age sound of house to prick the ears of Legowelt fans for sure. Big ups Loz!
Review: Danish producer Mads Dalholt is perhaps best known as one-half of Dalholt & Langkilde, whose 2015 album 'Sur Plus' is regarded as something of a classic in Balearic and downtempo circles. Now he comes with his first solo album and shows that he hasn't lost his touch, as he serves up 12 tracks that are laidback without ever getting boring, and mellow without ever getting overly polite or twee. 'Sitarhara' is a particular highlight to these ears with its hazy, subcontinental feel, while elsewhere 'Gui Tabu' evidences Latin influences and cuts like 'Drummer' and 'Jatak' look to African music for inspiration. It all adds up 1 hour 11 minutes of chilled listening that's well worth investigating even if downtempo vibes aren't usually where you're at.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.