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Something Good EPEXCLUSIVE
Review: St Petersburg's own disco don Sunner Soul returns with three more predictably high-calibre slices of contemporary disco. The EP opens with the sumptuous, lounge-y and aptly titled 'Late Night Vibes' with its dreamy female vocal, chorus'd "oohs" and lavish strings. 'Right Place' then joins the dots between deep house, filter disco and 80s boogie in a most pleasing fashion, before finally we come to the slightly housier 'Something Good' with its rich, warm bassline and sampled chunks of interview dialogue with the mighty Tupac. What the EP doesn't have, you might argue, is any obvious peaktime calls to the dancefloor, but that's a good thing... this is for the headz!
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VMR 106
18 Mar 24
Disco/Nu-Disco
18 Mar 24
Disco/Nu-Disco
Various
Black Legend, PowerDress & Ridney - "Over You" (Richard Earnshaw extended Revision) - (5:42) 122 BPM
Review: As Miami Winter Music Conference spins around for another year so does Toolroom's affiliated compilation showcasing why Mark Night's label remains at the precipice of mainstream club music. Bringing with it two full length DJ mixes and exclusive tracks from crew like Alex Kenji, Jerome Robins and Camila Jun, there's also banging numbers from legends like Green Velvet, Nicole Moudaber and Shadow Child next to Low Steppa and Tony Romera! ESSEL kicks off the compilation with the catchy choral loops of "The Edge", with other highlights to mention across some 50 tracks coming from Martin Ikin's drippin' "Make U Sweat", CASSIM's disco-tinged "Wanna Feel Something" and Carly Wilford's "The Dance". Time to dive into Miami 2024 - Toolroom style!
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TOOL 1248/01Z
08 Mar 24
Minimal/Tech House
08 Mar 24
Minimal/Tech House
Review: Natasha Diggs gives a fresh spin to Blaze's soulful house classic "Breathe" on Slip 'N' Slide. Known for her passion for funk and rare grooves, Diggs infuses her NYC-inspired style into the remix, breathing new life into the track while paying homage to the golden era of music. Her remix of "Breathe" highlights her exceptional taste and talent, seamlessly blending the original's saxophone and trumpet sounds with her own smooth grooves and captivating synthwork.
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826194 357245
22 Mar 24
Funky/Club House
22 Mar 24
Funky/Club House
Review: Glitterbox Recordings strikes gold again with "Power of One," a powerhouse collaboration between Chicago house legend Kelly G. and the unmistakable vocals of Candi Staton. This release marks a meeting of titans, blending Kelly G.'s infectious productions with Staton's legendary gospel-soul voice. "Power of One" departs from the usual high-octane energy of Glitterbox releases. Instead, it simmers with a slow-burning funk groove, allowing space for Staton's vocals to take center stage. Kelly G.'s masterful production underpins the track, with infectious basslines and tasteful keyboard flourishes creating a perfect bed for Staton's soulful delivery.
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826194 655198
15 Mar 24
Funky/Club House
15 Mar 24
Funky/Club House
Played by: Irregular Disco Workers, Rob Lee, DJ Daniel W. Best, Juno Recommends Disco, LEGO EDIT, Paul DaSoul, Tee Cooper
Review: Glitterbox knows how to throw a party, and "Glitterbox Archives Vol 4" proves it once again. This EP collects four previously unreleased, dancefloor-tested gems, each offering a unique flavour of the label's signature sound. Kicking off with a bang is The Shapeshifters' "Try My Love (On For Size) (The Rub Dub)". This extended version of the already infectious disco anthem dives deeper into its groove, layering dubby effects and pulsating basslines that will have you moving right away. Next up, Michael Gray and Kelli Sae's "You're Gonna Make Me Dub Somebody Else" takes things down a notch. The "dub" moniker lives up to its name, stripping away some of the original's funk elements and emphasizing the hypnotic rhythm section. Kelli Sae's sultry vocals remain captivating, while the dub treatment creates a more introspective and atmospheric aura. Art Of Tones & Inaya Day's "Give My Love (Piano Dub)" is a revelation. This stripped-down version showcases the song's beautiful piano melody and Inaya Day's powerful vocals in a whole new light. Rounding out the EP is Qwestlife's "Hit It Off (Babert Remix)". Italian house maestro Babert injects his signature energy into the track, transforming it into a driving house anthem. Teni Tinks' vocals are chopped and looped, adding a playful touch to the infectious groove. This one is sure to get the crowd moving and leave them wanting more. A sparkly feast for disco devotees!
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826194 655099
16 Feb 24
Disco/Nu-Disco
16 Feb 24
Disco/Nu-Disco
Played by: FINGERMAN, Juno Recommends Disco, BRENDON P, Andy Buchan, Joji Chissu, Paul DaSoul, Tee Cooper
Review: In the vibrant world of disco revival, Fool's Paradise stands as a beacon, resurrecting the electrifying spirit of New York's dance floors with a modern twist. Their latest offering, "Do It To The Music" by Raw Silk, reimagined by UK producer Michael Gray, is a perfect example of this ethos. Here, Michael Gray understands the magic of the 1982 original. He doesn't attempt to erase its essence, but rather polishes it with his signature production magic. The iconic vocals remain, floating effortlessly over a foundation of soulful grooves and shimmering synths. The tempo gets a respectful nudge, propelling the energy without losing the original's laid-back charm. His rework serves as a genuine tribute to the original, infused with his distinctive style characterized by flair and a groove-laden, funk-inspired resonance. Whether you're looking for a nostalgic throwback or a fresh take on a classic, "Do It To The Music" (Michael Gray Remix) delivers.
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FP 011/01Z
16 Feb 24
Disco/Nu-Disco
16 Feb 24
Disco/Nu-Disco
Review: Bondax's "Journey" on Future Disco isn't just an album title, it's an experience. This LP marks a decade in the game for the UK dance duo, and "Journey" reflects that beautifully. It's a blend of their signature sounds with fresh influences, all wrapped in a future-disco sheen. The album kicks off with the previously-released banger "Don't Want It," setting the pace with driving rhythms and those classic Bondax synths. Tracks like "I Only Have You" showcase their versatility, featuring smooth vocals from Eno Williams that blend seamlessly with their sonic palette. A true highlight is "Fade" featuring SHELLS. Flanging guitars and entrancing beats create a mesmerizing soundscape, perfectly embodying the album's exploration of diverse sounds. "Yabaal to London" is another winner, a funky fusion of 80s disco and modern production with the Dur-Dur Band. It's impossible not to move to this one. It's a genre-bending album that pays homage to disco's roots while offering a fresh, modern take. Packed with infectious beats, captivating vocals, and stellar production, this album is a guaranteed dance floor filler and a must-listen for fans of electronic music with a touch of nostalgia.
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197338 096475
22 Mar 24
Disco/Nu-Disco
22 Mar 24
Disco/Nu-Disco
Review: Over the last few years, Martin 'Atjazz' Iveson has spent a fair amount of time mentoring Peacey, a young producer with oodles of talent. That much is proved by the rising star's expansive debut album, a superb 16-track set that combines sizzling colo cuts with a string of inspired collaborations. The Edinburgh-based artist sets his stall out via the luscious horn arrangements and immersive ambient electronics of 'Play It By Ear', before drifting between head-nodding R&B loveliness (Oveous hook-up 'Love In The Forest'), sensual and seductive, soul-flecked deep house ('Hold Me Back' with Clyde and Atjazz), mid-tempo boogie-soul ('Playground' with Rona Ray), dubby and dreamy downtempo grooves ('Last Night's Dream'), deep and techy, spoken word-sporting dancefloor workouts ('Culture Bandit' with Vanessa Hidary) and jazz-funk influenced excellence (LaRoye collab 'In The Distance').
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ARC 230AD
05 Apr 24
Deep House
05 Apr 24
Deep House
Review: The legendary Kerri Chandler and his Kaoz Theory label (ode to that priceless 1998 album) turns in a remix and dub package of Antonio Deep Scarano & Toshi's "Kuyo (In Everything)". For the uninitiated ADS is an Italian house music industry man known for his collaborative streak - hooking up with vocalist Toshi for a second time here. With the Kerri Chandler touch, the duo's infectious single gets a full remix treatment that across the board draws upon the purest of house sentiments, meant for warm and worldly times, taking in '90s new age and piano house with percussion, drum machines and basslines to boot. Chandler of course goes large but not OTT in his vocal and dub mixes, next to a pumping warehouse version by Antony Reale, Pietro Nicosia's clubby tribalisms and Salvatore Oppio's barqoue remake too!
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KT 029R
29 Mar 24
Funky/Club House
29 Mar 24
Funky/Club House
Played by: GATY LOPEZ
Review: Nick Curly showcases his mastery of the underground house scene with the "Come Right Back" EP, released through Cécille Records! Hailing from Mannheim, Germany, Curly's influence spans two decades, with his imprint 8bit shaping the city's distinct sound. "Come Right Back" kicks off the EP with Curly's trademark swinging drum groove, fused with a filtered disco loop and choppy stabs, crafting a dance floor-focused workout. On "Arkum", Curly delves into deeper, darker realms, blending organic percussion and gritty bass stabs with tension-building strings and spoken word vocal chops, resulting in a loop-driven, subtly unfurling peak-time tool with its subtle intricacies.
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CEC 054
12 Apr 24
Minimal/Tech House
12 Apr 24
Minimal/Tech House
Review: "I'm Your Baby Tonight" isn't just a rehash of the past; it's a full-on nu-disco makeover. Mint Disco takes the well-loved melody and injects it with a shot of modern energy, creating a fresh dancefloor banger. The result is a captivating mix of the familiar and the new, a delightful balance of warm nostalgia and innovative spirit. This track goes beyond being a song; it's a sonic journey that warps time. Mint Disco's production magic breathes new life into the iconic tune, transporting listeners to a space where past and present blend seamlessly. The experience feels completely new yet undeniably connected to the original's charm.
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MINTD 001
05 Apr 24
Funky/Club House
05 Apr 24
Funky/Club House
Review: Following a two-year gap in which he focused on his House Puff and Rutilence labels, Parisian house stalwart DJ Steaw returns to Kerri Chandler's Kaoz Theory imprint. The three original cuts on show are prime Steaw: rock-solid, high-grade house workouts full of audible nods to the halcyon days of US house in the nineties and early noughties. The headline attraction is 'Get Back To The Fonk', a bumpin', spacey and tactile chunk of peak-time ready deep house haziness blessed with plenty of percussive funk. Kaoz Theory regular Josh Buttler remixes, opting for a more loose-limbed rhythm track, echoing melodic snippets and cut-up, garage-style vocal samples. Elsewhere, 'In My House' is an organ and synth-sax-sporting slab of '90s New Jersey nostalgia and 'Don't Stop' is gently acid-flecked deep house hypnotism.
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KT 032
26 Jan 24
Deep House
26 Jan 24
Deep House
Various
Harold Matthews Jr, Sean McCabe & Glenn Underground - "This Place" (Glenn Underground remix) - (8:23) 123 BPM
Deon Cole, Emmaculate & Coflo - "Where The Freaks At" (feat Teresa Griffin - Emmaculate & Coflo remix) - (7:22) 124 BPM
Risk Assessment, Monica Blaire & Grant Nelson - "It's Not Right But It's Okay" (Grant Nelson remix) - (6:10) 125 BPM
Nathan Haines - "Believe" (feat Shelley Nelson/The Layabouts - The Layabouts vocal mix) - (7:38) 123 BPM
N'Dinga Gaba - "Summer Breeze" (feat Sahffi/Raw Artistic Soul - Raw Artistic Soul remix) - (8:06) 125 BPM
Dominique Fils-Aim? - "Good Feeling" (feat Atjazz/D-Malice - Atjazz & D-Malice vocal dub) - (5:31) 122 BPM
MdCL - "Feels Like Home" (feat Ovasoul7/Frankie Feliciano - Frankie Feliciano Ricanstruction vocal mix) - (7:02) 124 BPM
Review: Reel People Music's annual Soulful, Deep & Dope compilations always deliver exactly what the title promises, namely club-focused jams of the most positive, musically expansive and spiritually enriching kind. This year's edition is a particularly potent collection, with 20 tried-and-tested tracks to devour. Highlights are naturally plentiful, from the tech-tinged deep house soulfulness of Mark Francis's remix of Opolopo and Angela Johnson's 'Stay This Way', and Glenn Underground's wonderfully musically expansive revision of Harold Matthews Jr and Sean McCabe's 'This Place', to the sunset-ready wonder of Matthew Brandy's 'Wish' (featuring an impeccable vocal performance by Josh Milan) and the soulful deep house brilliance of Atjazz and Shea Soul's inspired 'Home'.
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RPMDC 021
08 Mar 24
Deep House
08 Mar 24
Deep House
Played by: Mono/Loco
Review: Wallace's first outing on Rhythm Section International was genuinely brilliant, so hopes are naturally high for the rising star's sequel. Check first deep, dubby and driving title track 'Papertrip', where echoing, dub techno style motifs, restless piano riffs and infectious hand percussion hits rise above a kick-drum-driven beat and a jazzy bassline, before admiring the ragga vocal-sampling speed garage revivalism of 'BB' (note the nods to mid-90s MK and a genuinely weighty bassline). 'The Function' joins the dots between skippy US garage rhythms and ultra-deep, dubbed-out house, while 'Backwaters' adds sunrise-ready sounds and psychedelic electronics to another deep, skippy and sub-heavy house groove.
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RS065D
05 Apr 24
Funky/Club House
05 Apr 24
Funky/Club House
Fire Island feat Love Nelson
Review: Disco classic "There But For The Grace of God" by Fire Island featuring Love Nelson gets a fresh lease on life with a new remix by house music expert Alan Dixon on the 4 To The Floor label. This reimagining breathes new energy into the original track while staying true to its soulful core. Love Nelson's iconic vocals remain the centerpiece, soaring effortlessly above a foundation of driving bass and crisp percussion. Dixon's masterful touch adds a contemporary twist with subtle electronic flourishes and a pulsating groove that keeps the dancefloor hypnotized.
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826194 657093
22 Mar 24
Funky/Club House
22 Mar 24
Funky/Club House
Played by: Dan Speed
Review: D'EAUPE, the forward-thinking record label spearheaded by electronic music duo Shermanology, unveils a stacked remix package for their previous Roots EP. Featuring a impressive lineup of artists, each naturally brings a twist of style to the original numbers. Rene Amesz leads the charge with his pumping remix of "Jabula", blending Verseless & King Her's vocals with some heaving beats. Hector Couto pulls out the filter sweep in his remix of "Touch" while SYREETA's dubbed-out breakage of "Jabula" offers a fresh perspective with a flow of dynamic house rhythms and heavy bass weight undertow. WZA's club mix of "Hijos De La Noche" turns the saw waves and garage vibes up to 10 leaving Chico Rose's reimagining of "Coco Loco" to hold down a super solid and techy groove. Sherminated.
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DE011R
05 Apr 24
Minimal/Tech House
05 Apr 24
Minimal/Tech House
Review: Following years spent flitting between labels including Toy Tonics and Razor N Tape Reserve, COEO make their bow on Shall Not Fade. In keeping with the Bristol label's approach to digital releases, it's an expansive and action-packed affair. Title track 'Planet Earth' is one of the Munich-based duo's more forthright cuts to date - a thrusting, bongo-laden techno tempo rave workout propelled forwards by an insanely good (and rubbery) electronic bassline and psychedelic acid lines aplenty - while 'Satellite Bay' sounds like a cross between early '90s synth-pop, Kraftwerk and Euro-dance. Elsewhere, 'Rush Hour' gloriously joins the dots between hip-house, vintage MK productions and the Pet Shop Boys' Relentless' album; 'Kawasaki Racing Club' combines breakbeats and early UK progressive house sounds; and 'The Stage Is Yours' is a head-nodding, midtempo acid breaks affair.
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SNF 102
08 Mar 24
Funky/Club House
08 Mar 24
Funky/Club House
Review: Kerri Chandler continues to mine the untapped depths of his musical vaults and here serves up a third dose of previously unreleased gems. Chandler first offers up 'Let It (Give Me Back My Love)', a typically joyful, hip-swinging and effortlessly groovy chunk of vocal deep house featuring Abbie Lee, before reaching for fluid piano motifs, super-soulful male vocals (possibly his own) and Kenny Dope style broken house beats on 'Another Dawn'. 'The Bassline (Kerri's Dark Mix)' is a moody, percussive and infectious slab of early morning house, while 'The Breeze (Original Mix)' is a drum machine driven box jam that deftly showcases Chandler's immense skill as a beat programmer.
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KT 033
12 Apr 24
Funky/Club House
12 Apr 24
Funky/Club House
Played by: Juno Recommends Funky House
Review: New York's Sub-Urban Records takes us on a journey of soulful house with the "Forever (Michael Gray Remix)" by Key To Life featuring Sabrina Johnston. Gray's signature touch is evident throughout. The remix takes the original's foundation and builds upon it with a deeper, groovier bassline. House heads will appreciate the subtle yet infectious percussive elements that propel the track forward. Sabrina Johnston's vocals remain the centerpiece, soaring effortlessly above the music. This remix is a perfect example of soulful house excellence. It stays true to the original's sentiment while offering a fresh, club-ready interpretation.
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826194 663995
15 Mar 24
Funky/Club House
15 Mar 24
Funky/Club House
Various
Review: Volume 7 in the series but for once we can't really say "you should know what to expect by now" because what this compilation really goes to show is just what an eclectic and diverse camp the long-running Manchester label has become, with tracks on 'Paper Cuts #7' ranging from the near-ambient Balearica of Aniso Tropics' opener 'Apricot Memorex' to the self-explanatory synth-y stylings of La Guardia de la Luz's 'Trance Aleman de los 90s' via the uptempo strut of Jahn Solo's 'Disco'. So all we can really do is point you in the direction of some standout cuts, which for this reviewer would include D.S.D's luscious 'Just Can't Stop' and Benny Pitcher's 'Transatlantic Motion', which is like a little musical nod to the days when Paper comps were called 'Splinter'.
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PR 351
27 Mar 24
Deep House
27 Mar 24
Deep House
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AGRIO 001
05 Apr 24
Funky/Club House
05 Apr 24
Funky/Club House
Joe Goddard, Fiorious & ABSOLUTE. - "New World (Flow)" (ABSOLUTE. Transcendental Flow remix) - (6:08) 133 BPM
Joe Goddard, Fiorious & Roman Flugel - "New World (Flow)" (Roman Flugel Dance remix) - (5:04) 126 BPM 
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RUG1418D 1
27 Mar 24
Funky/Club House
27 Mar 24
Funky/Club House
Played by: Mike Nasty
Review: Orange Muse's "Keep The Funk Alive" gets a fresh rework by house music veterans Jazz-N-Groove on Soulfuric Deep. The Primetime Mix stays true to the original's funky spirit, featuring a delicious bassline and pulsating synths that weave through the soundscape. However, Jazz-N-Groove injects some modern energy with updated percussion that creates a spacious club feel, perfect for getting bodies moving. Fans of house music with a touch of old-school funk, this track is a must-hear.
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826194 662790
29 Mar 24
Funky/Club House
29 Mar 24
Funky/Club House
Played by: Juno Recommends Funky House
Review: Back in the late 1990s, German producers Jorge Henze and Jerome Isma-Ae released a string of now sought-after 12-inch singles as ACME. 'Soul of Life', from 1998, is one of their most in-demand EPs - hence this belated digital reissue. What makes the three-track collection so unique is its incorporation of speed garage (as it was then called) elements alongside contemporaneous house and tech-house sounds. This hybrid sound is best exemplified by the skipping, dubby and glassy-eyed 'Soul of Life I', though the more melodious, deep house influenced 'Soul of Life II' - all saucer-eyed pads, tactile organ riffs and smooth grooves - is almost as impressive. 'Soul of Life III', the EP's final variation, opts for a Grant Nelson style late '90s 4/4 UK garage flex.
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ONLY 24
29 Mar 24
Funky/Club House
29 Mar 24
Funky/Club House
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LT145B
04 Apr 24
Funky/Club House
04 Apr 24
Funky/Club House
Review: Fresh from outings on 8Bit and Dirtybird, Audiojack return to the label they established way back in 2010, Gruuv. In keeping with the Yorkshire-raised duo's outings on the imprint, it's a tightly focused and club ready two-tracker. First up is 'Somebody', a rumbling, body-moving slab of 1997 speed garage revivalism - all Armand Van Helden 'dark garage' bass, dark synth strings, echoing vocal snippets and chunky house drums - which sounds like a genuine peak-time anthem in the making. They continue the "arms aloft" vibes on the similarly large title track, 'Release Yourself', which mixes vintage UK garage influences with nods to contemporaneous big room NYC house sounds.
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GRU 131
12 Apr 24
Funky/Club House
12 Apr 24
Funky/Club House
Review: The Take It Easy label returns with a red hot one that features a Bugsy 'ReDrum' of Wema's 'Kiherehere' cut. The original artists are a five-piece Tanzanian outfit founded on community and they have a global approach to sound that plays out here. In Bugsy's hands, it becomes a club-ready cut that fuses house and techno with the original's traditional Tanzanian instrumentals and Afro-Latin rhythms. Add in a fiery vocal and the sort of unrelenting drum funk that sends crowds mad and you have another standout from this fledgling label.
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TIE 005
29 Mar 24
Funky/Club House
29 Mar 24
Funky/Club House
