Review: Electronic music superstar Anyma (aka one half of Tale Of Us) unveils his highly anticipated sophomore album, Genesys Part II - which follows the success of his debut, Afterlife LP. Showcases Anyma's evolution as a melodic techno producer, the album features 21 tracks split into two distinct components. The first section chalks up a chunk of original compositions, including standout singles like "Pictures of You" and "Higher Power," along with collaborations with Chris Avantgarde, PARISI, Rebūke, and more. The second segment offers reimagined versions of tracks from both Genesys albums, featuring notable remixes by Eric Prydz, Adriatique, and Cassian. With its diverse range of sounds and collaborations, an impresisve and fully comprehensive second edition promises to be a pivotal moment in Anyma's career, dropping amidst the excitement of Miami Music Week 2024.
Review: Ed Upton has long been one of British dance music's most prolific producers, with his latest album on Hypercolour - the typically vibrant Spiral Dance - marking his 24th full-length excursion as DMX Krew since 1996. Its' 13 tracks are typically vivid, inventive and entertaining, with the Bedford-born producer rushing between intergalactic electro ('Always Hats'), sub-heavy UK techno futurism (the bleep-influenced 'Bathtime Bobby'), house-tempo dancefloor IDM ('Spiral Dance'), Spacetime Continuum style ambient techno (the chill-out room friendly 'Back To '92'), synth-laden analogue cheeriness ('Is This Normal'), heady beat-free soundscapes ('Hammer Slowly Forming'), early Autechre style electronica ('Ankle Grinder') and sweaty acid house ('FM Assembly').
Review: It's been slowly drip-fed to us over a 10-month period but now here at last is the full album. On 'Something Like That', Jalapeno bosses Skeewiff celebrate 25 years in the game by paying tribute to some of the music that's inspired them, delivering generally very faithful but also very accomplished reworks of classic tracks by artists ranging from The Winstons and Jimmy Smith to Dick Dale and Herb Alpert. New additions to the roster on this final version include Nancy Sinatra's 'These Boots Are Made For Walking', Muppets 'Mah Na Mah Na', Mel Tormé's Mod club standard 'Coming Home Baby' and, just to prove they're not taking themselves TOO seriously, Boots Randolph's 'Yakety Sax' - better known to most as the 'Benny Hill' theme.
Review: Len Faki's "Fusion Remixes 01/03" on Figure delves into the acclaimed album "Fusion," reimagining its diverse tracks through the lens of renowned techno artists. This release presents a fascinating exploration, showcasing contrasting interpretations and highlighting the versatility of Faki's original work. While remaining rooted in techno, the remixes delve into various subgenres, showcasing the versatility of the original tracks and the talent of the remixers. From the stripped-back industrial of O [Phase]'s "Temple" remix to the euphoric trance influences in Planetary Assault Systems' take on "Yantra," each track offers a unique perspective. Each remixer brings their own magic. rRoxymore's "Tor 8" remix pulsates with dark energy, while Djrum's "Don't Be Stupid Day" is a distorted, raw dancefloor weapon. Pangaea's "Space Cowboys I" remix adds a touch of light and groove, making it an infectious earworm.
Review: Next up on Binary Cells is Klint with this hard-hitting release. The pounding, industrial rhythm of "Atlas" gets Son Heros off to an intense start. There is no let-up on "Mental 89", where Klint drops a dense, banging track. While the title track integrates trancey riffs with robust tribal drums, it is still primed for the dance floor. On "Supervision", Klint continues this approach as a surging bass ripples its way through a looped groove. There are some exceptions to the prevailing intensity: "Requiem RK" is a heads-down ebm workout, while "Cinq Sections" is a dub-influenced track, but one that still packs quite a punch.
Review: It's clear to all who follow electronic music with any level of regularity that Om Unit has become one of the most consistently impressive names to follow, with the last decade of work showcasing creativity and sonic innovation with every new outing. This latest 'Fragments' album project sees those talents again at work, from the moogy bass flicks on 'Snagged' to the icey soundscaping of 'Entity' and super sharp drum processing of 'Side Quest'. This album showcases mastery at work, with Om Unit again proving to be a level above those around him, with highlights including the colourful melodic squelches of 'Moonglade' and breaks-inspired energy-boosting qualities of 'Hard Skin'. Top work, as always!
Review: Twenty-three years since he initially released Dispatches on his own Geophone imprint, Mike Parker's debut album gets a timely reissue on Field. Listening to his debut album is a reminder of how it remains the corner stone for much contemporary techno. Parker's use of sparse rhythms is audible throughout, as is the cavernous, at times all-encompassing sound scapes he designed. While there are references to some previous techno canons - a hint of Plastikman acid in places, or echoes of Sahko's repetition - Dispatches really is in a field of its own. That it manages to still sound not just relevant but also revelatory is testament to Parker's unique talent.
Review: "Emerge" is a phenomenal debut album that cements Berlin-based producer Red Rooms' position as a rising star in techno. The LP seamlessly blends driving energy with subtle experimentation, offering a well-rounded listening experience for techno purists and newcomers alike. Red Rooms' signature sound is on full display throughout the album. Clandestine sonic textures and short, infectious melodies intertwine with the powerful, locked-in grooves that propel each track forward. The album boasts several tracks primed to ignite dance floors. "No Turning Back" is a prime example, with its rave-ready stabs and relentless energy. "Transcendency" offers a more alien twist, merging driving techno with otherworldly drum patterns that will leave listeners mesmerized, while "Cypher" showcases Red Rooms' understanding of minimalism, channeling the spirit of Robert Hood with its stripped-down yet impactful groove. A must-listen.
Review: Seven years after Bitter Music, Perc returns with his fourth studio album. The Cut Off is bookended with the gentle ambience of "Can You Imagine" and the droning "Calcify"- and includes other divergences like the jittery electronic soundtrack on "Heartbeat Popper". "Milk Snatchers Return" also presents another unexpected turn as Perc fuses atmospheric synths with dense tribal drums. But his focus soon turns to this signature sound. The sharp percussive shapes of "Static", which features Sissel Wincent on vocals, is an industrial techno anthem in waiting. And the intense acid of "Cold Snap" and the pounding kicks and heads-down rhythm on "Full Goblin" are reminders that few producers do forward-looking, impactful techno as well as Perc.
Review: The second instalment of Len Faki's remixes see the storied techno producer tap his favourite artists to re-interpret his work. Luke Slater's Deep Heat take on "Shri Yantra" is redolent of his classic Planetary Assault Systems work, with firing percussion and dramatic break downs to the fore. In contrast, Amotik's version of "Make Me Scream" follows a heads-down approach, with haunting vocals wrapped into a bleep-heavy, rolling groove. In contrast, ANNA's remix of "Hymn" is a tranced out, big room track. At the other end of the spectrum, Modeselektor's interpretation of "Don't Be Stupid Day" is a moody electro stepper, led by waves of menacing low end.
Review: Next up from the team over at Gass Colly Palace, a welcomed appearance from the ever ready Stixy D, who unloads a super catchy 7 track thrill ride. We open up the collection with a silky smooth singalong entitled 'Let Me Down', featuring the angelic vocal displays of Amber Jade, before the 2024 Mix of 'Pattern Party' gives us a more percussive switch up. From here, the nostalgia-inducing chord progressions of 'Play Thing' alongside Meesh.r, the abstract electronic drones of the 'Eardrums' VIP mix and breaksy swipes of 'One Night In Astoria' all give us tasty additions, before moving in a fiery finale. 'Do To Me' is how we close, the more tidy vocal work and sharpened drum processing bringing the project to a well thought out close.
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