Review: Back on Pick The lock for the first time in a long time, Kormz brings the storms with this almighty six-pack track attack. Taking off where he last left us with last year's 'Collusion' EP on Nemesis, it's an intense trip into the fieriest corners of his DAW and a place where some really grotty sound designs ooze out of the speakers. Vibes range from the bone-shakingly tearing and gnarly ('Stick') to greasy, deep and offkey ('Desolate') via strange other-worldly trippy funk ('Sh*t Connection') And that's only half of it. Shots fired!
Review: Just when the sound technician at the club thinks they've got an easy night ahead of them, along comes Kontakt with 'Redlines At Dawn'. Overdriving your mixer with every sharp kick and gnarly bass texture, the whole EP is an absolute steamroller of a session and includes a few familiar faces... Serial Killaz flip 'Start Barking' into a whole dog pound of ruffage while T>I appears on the final two cuts... 'Format' sees him joining Kontakt for a dark and stripped back cut in the form of 'Format' while the EP concludes with a T>I remix of Kontakt's 2022 Richter scale ruiner 'Tremors'. Shake it baby!
Review: A gent on the streets, a demon in the spreadsheets; Excel returns with another exceptional EP that's absolutely loaded with grot and slimy sonics. Following his 'Apocalypse' EP on Pick The Lock, he continues to hone a very particular strain of 'puking robot' bass that's evident in many of tracks, especially right here. Highlights include the coiled spring flexes and algae-covered bass on 'The Beginning' and the rusty robot scrapes and scratches of 'The Truth'. That's just half of it. Check it yourself... You might say it all adds up.
Review: Hitting us like clockwork, every three months since last October, Exit 100 EPs have been an exceptional journey into the label and everything it's stood for since launching 21 years ago. Over the last two EPs we've had all kinda of beat wizardry and boundary burning but for this one it's all about the cutting edge drum & bass. Each cut is a highlight but Loxy & Resound's 'Tyranny' is a direct trip back to 97, Skeptical & Kid Drama's 'Scorn' is a hearty homage to Krust and Mark System's 'Chinook' is every bit the take-off tune you'd expect from it title. Get to the chopper!
Review: The most prolific man in drum & bass, Conrad Subs returns to Ray Keith's Dubplate Dread for the first time since 2020 with a humungous wedge of wallopers. Seven cuts in total, each one of them tailored for those magic 3am moments, big moments range from the gruesome growls and grizzles of 'Octavirus' to the pure raucous shreds and slaps of the title track 'Real Dread', a cut which really does live up to its name. Oh boy, this could well be Conrad Subs' mightiest EP so far, which is really saying something. Real talk.
Review: We hate to break the news to you but, as doctors R!PT!DE and Ghee-K have officially confirmed: 'You're Dead'. Putting this 'ahhhhhhhhhh' into RIP, mourning will be rolled out in a series of super freaky, ultra sleazy, mega leftfield sound designs and textures. From the regimentalist solider orders of 'Rojah' to trippy, broken-spring finale fire of the title track 'You're Dead', this is one exceptional collection. Time to put your affairs in order.
Review: Man like Kublai returns to Total Science's label with some of his darkest, dankest, dirtiest designs to date. 'Big Talk' takes the lead with a big old b2b2b in the studio as Kubbie, TS and Minor Forms all get mucky in the action. Elsewhere 'The Imposter' goes for a classic wormy bassline tension, 'Trippin' is pure filth laced over scattershot drums (with more filth thrown in for good measure) while 'Sullied' closes the EP on a pranged out drone tone. Exceptional drum & bass craft here.
Review: 20 years old this summer! Basement Jaxx's anthemic string-drench good riddance anthem 'Good Luck' gets two incredible drum & bass remixes on Friction's Elevate right here. First is Circadian who continues to smash things up post Prototypes with this wild dancefloor turbo boost. Think Breakbeat Kaos with added diesel power, it's an absolute monster. Sri Lanka's IYRE meanwhile brings more of a housey type of touch with big filtered chords and a rising sense of momentum that pays off more and more with every 16. Good vibes.
Review: Bladerunner back on Philly Blunt baby! You already know this one is going to be special. Two massive cuts laced with big V funk and exciting, unpredictable twists, 'The Chronic' is an immense piece of work that's just as much disco as it is jungle thanks to some lavish synth blasts mid-way. 'Straight Up' goes for something even ruffer as the main bassline revs up a storm like a can of coke on your bike's back tire. Grizzly ain't even the word, this is savage. Go on Bladerunner!
Review: The legendary DJ Hybrid is back in business with another top quality collection, unloading four garage-inspired bumpers on this brand new EP. The title track 'Flex Ya Chest' takes centre stage from the off, exploring old school garage vocal overlays and hard hitting sublines to kick the EP off in serious style. Next, a 140 VIP mix of 'Big Four Five', utilising a hard hitting vocal line atop a bed of quivering LFO lines and choppy drum textures, before the super smooth sub notation of 'All For You' gives us another thunderous display in close pursuit. Finally, 'Area Code' ups the pace significantly with a dancefloor-ready rumbler, focussing on fidgeting synth lines and smooth pads to give us a slightly alternative closer.
Review: Nick The Lot on Low Down Deep... Now this is a treat for the senses! Watch and learn as the Brighton bandit hurls out some of his most disgusting textures and techniques possible. 'Big Bad Bass' sets the scene with its oddball noises and sudden turbo synth thrusts. Unpredictable, weird and never taking itself too seriously, the rest of the EP is a riot and highlights come firing left and right and centre - 'Bermuda Triangle' is one of the most bonkers thing NTL has ever done while 'Waccy Baccy' melts us down to a psychedelic mess for the finale. More than your lot.
Review: Nu Elementz and Majistrate's Bites imprint hits the big five-oh right here with this heavyweight four-tracker from jump-up rising star Steryx. Following his 'Gas Pedal' EP on the label late last year, once again it's an all-out stamp session as he flings out some premium uncut grot. High frequency funk can be found on 'Self Destruct', weirdo wobbles and trippy twists are lurking in the shaows of 'Warmed Up' while absolute tear-up lunacy is coded into the heart of 'Twisted'. As for 'Witch Hunt'? Well buy it, download it, burn it to CD and chuck it in lake and find out. If it drowns, you'll get done for littering so be careful.
Review: Fresh from delivering an EP of nostalgic 'Club Specials' on regular home Wolf Music Recordings, Frits Wentink returns to Clone's Royal Oak imprint for the first time since 2020. Title track 'Spiritual Basslines' - which is available in 'Club Mix' and 'Extended Mix' variations - follows a similar sonic template to the Amsterdam stalwart's most recent releases, adding classic deep house sounds to the kind of skippy, loose-limbed groove most often found on late '90s US garage releases. Highlights elsewhere across the EP include the vintage Nu Groove-influenced excellence of 'Eternity', the dub house meets-nu-disco shuffle of 'Golf Cart Joyride', and the deliciously deep, dusty and dubby shuffle of 'Olympiad'.
Review: Next up from the ever-ready Liondub International, a throwback filled to the brim with lethal flavours as Conrad Subs touches down to deliver four tracks of pure dancefloor fire. We open up with the unpredictable synthetic twitches and reesey rumbles of 'Rave Report', setting the tone of the project nicely before 'Dough' gives us a more minimal fusion of growling bass notes and sharpened drum designs. Next, 'Big Chungus' opens up the roof for an even harder hitting sub-line, upping the ante even further as we move forward, with Speaker Louis providing some additional work on the well thought out rhythmic arrangements of 'Shots Fired'. Another tidy collection from the Liondub dynasty.
Review: V is for victory! Bryan Gee and Jumpin Jack Frost's label continues to mark three whole decades with the second volume of their 30 Years VA. First up is a VIP of L-Side's already flattening remix of Krust's 'Not Necessarily A Man' before Alibi and A-Audio go toe-to-toe on the soulful bruiser 'Middlemen' where a big funk sample gets battered into submission but an equally stunning Reese. Last but not least Level 2 closes the EP down with another VIP treat - 'Bite The Bone'. Woof woof!
Review: Whenever we see the 1985 Music banner sailing into port, we know we are in for a good time, especially when it carries goods of the level of these from VIsages, who continues to impress with another killer 4 track drop. We open up with the title track 'Dol Guldur', a gnarly fusion of metallic bass tones, neurotic drums and spiced up vocals, followed by Snowy's high energy vocal performance on 'Evidently', a serious grimey throwback. Next, the more ethereal vocal slides and mind-melting synth pads of 'Panacea' flip the themes of the EP right on their head, with a killer vocal appearance from Killa P on 'The Most' giving us the final dash of juice to round this EP off in serious style.
Review: Celebrating 21 years of Innerground, Marky gets vibey on this wonderful sun-kissed four-tracker. We take off with a fresh take on a Sao Pao classic - the 2004 release XRS collaboration 'Soul Samba'. Updated by the main man Marky and fellow OG Makoto, all its Latin heat remains as the pair take us through their breakbeat paces. Elsewhere 'Star Trippin' goes big with the bassline and strings and the EP title track 'Kochi' brings a little synthy house-flavoured magic to the mix. The dreamiest highlight however has to be '(It's Just A) Simple Song' thanks to its sublime pianos and gentle soulful touch. This is real D&B. Marky is king.
Review: From Belgium with love: Obbley joins the gang on Vibe Chemistry's Make Your Era and lays down four utterly savage twisters. The title track is your straight up Belgium fare - big lasers, bigger grot, endless rampant energy. Elsewhere 'Where To Go' takes us to church with its falsetto vocals and soul-shivering feels while Hamses and Shifu join the fray for two collabos. The former on the face melting laser lasher 'Cold Killer', the latter on the sci-fi drama of 'Rebels'. Chant your pants off. What a package.
Review: It's official, Eatbrain have now officially eaten all of the brains and have moved onto eating the entire world. Pure domination and 'Divergence' is the sound track. Now on their fifth volume (which is so big it's split into two parts), this edition features a dizzying range of artists from Aggressor Bunx to Sola to Current Value to Gydra and an insane amount more across 19 tracks. Highlights include the ravey twist of MNDSCP's 'Grumbler', the sensual vocal element and raw strings of 'Tusk' by Volatile Cycle and Dropset and the pure swagger of State Of Mind's 'Fall Forward'. But that's just three of a humungous set. Dig deep and diverge!
Review: Leeds' own disco don Andy Buchan returns to Hot Gorilla with an EP consisting of what are, essentially, three nu disco-fied cover versions - specifically, his takes on 'Don't You (Forget About Me)' by Simple Minds, 'Get Lucky' by Daft Punk and 'Burning Down The House' by Talking Heads. But there's a twist - as the EP title suggests, each of those covers has been augmented by the employment of a full choir on vocal duties. It's an approach that may prove a bit 'Marmite' (for this writer, the treatment works best on 'Get Lucky') but it certainly makes a change from endless re-edits...
Review: Rumour has it our kid Harls named this EP 'Circular' after the A406 North Circular ring road around London. Word on the street is that he named it after the shape of his favourite coin (a 10p). Frankly we don't care either way. Not when the music's as vibey as this. Once again flexing his deeper, more leftfield side, highlights include the woozy introspective wonk of 'Bring Me Down', the smoking 140 sizzles of 'Close Your Eyes' and the interesting momentum, twists and cool neck-snap funk of 'New Direction'. The dreamy-but-punchy title track has a lot of sass to it, too. You'd be loopy not to jump on this Circular.
Review: Usually known for more jumpier takes on D&B - especially with his 2Ton project - Corrupted Mind follows up the Jungle Jam single with a full EP of the same gully, uncompromised and blistering breakbeat jungle style. Each cut gnarlier than the last, Nuusic's signature fizzy energy has been reimagined in an exciting way as CM goes in on all the little details: 'Rinse Out' comes with serious tension, 'Murder Tune' is all about the militant percussion while 'War Cry' is just pure bassline aggression. What an EP!
Review: The crew over at Subway Soundz have packed a serious box of weapons into this new drop, welcoming the enigmatic production abilities of Jay Jay inside for five rave-ready rollers. First up, 'No Drama' takes a high pitched synth screech and fuses it with gnarly LFO slides to match, before Blackhry arrives on 'Black Smoke' for a more abstract link, focussing on unique drum designs and super choppy rhythmic twitches. Next, pure jump up heat as the belching synth crunches of 'Atomic' and speaker-jamming subs switches of 'Rejected' provide back to back punchers, with the slapping drum arrangements of 'Radiation' bringing us to a cool finale. Nice!
Review: Doctor, doctor, I feel like a firework. Put some bangers on then, pal. Doctor, doctor I feel like a reload. Come again? Doctor doctor I can't stop spitting bars. Then stop eating nightclubs. All jokes aside, Doctor Roberts is not actually your typical healthcare professional. He'll cure you but it'll be with dutty bass and high energy tear-ups rather than medicines or modern science. The toxic waste electro thrills of the title track will have you doing dancefloor surgery, cutting up the place with your sharp moves. The groaning filthy reese of 'Wheel & Come' will have you sweating out your fever in a jiffy and 'Nice Guy' will clear any migraine thanks to its precision drum clarity. Pull yourselves together!
Review: Buckle up, because Particle is taking us on one wild ride with his latest album "Pyro" on Critical Music. This 10-track juggernaut is a full-throttle excursion through the gnarliest terrain of jungle and drum & bass. Right from the jump on the opening cut, Particle flexes his funky bassline muscles to get things properly greased up. But don't get too comfortable - by the closing VIP remix he's dropped the hammer and has the whole thing redlining in the most deliriously unhinged way. This is an artist operating at the peak of his powers, seamlessly blending classic jungle/D&B fundamentals with meticulously futuristic production chops. There's something for the old-school heads and fresh recruits alike on this album. Longtime jungalists will get misty-eyed over the cavernous subs and proving garage-bred breaks of tracks like "Fooling." But Particle also caters to the new-age barneys on tunes such as "Assassin" and "Needles" complete with enough manic robotic contortions to have you rapidly evacuating your flesh vessel. Not one to rest on his laurels, Particle keeps things utterly weird too. "REM" is a deliciously unhinged descent into stuttering jungle psychedelia. And his link-up with Inja on "The Message" injects a taut, nerve-shredding atmospherics that'll have you sweating through three layers of merino wool. Don't sleep on this one, ravers.
Review: Bennie's bullets keep on firing from all angles as the Welshman returns to Invicta with this absolutely huge collabo-splattered collection of dancefloor melters. Featuring the likes of Latte, Eyez, Scuffed and Junior Dog, Bennie flexes the whole range right here: Eyez brings lyrical savagery on the opening cut 'Turn It Up' while Junior Dog goes in hard on the swagger-packed finale 'Different'. In between these two poles standout cuts include the EDM-spiked 'Good Liar' and the Latte-linked tear-up 'Straight Outta London'. Crank it.
Review: Two legends go toe-to-toe in the studio right here on Natty Dub: new Bristol resident K Jah and Brizzle native (and stone cold west country pioneer) Suv on 'Bubble Soap' and 'Lavish'. Both men renowned for their love of the craft, these cut don't disappoint; the former is a real pavement pounder of a track with its steamroller kicks and flabby funk while the latter takes us on dreamy sway with pure Bristol class. Something for all heads. This is a powerful release.
Review: Electronic music superstar Anyma (aka one half of Tale Of Us) unveils his highly anticipated sophomore album, Genesys Part II - which follows the success of his debut, Afterlife LP. Showcases Anyma's evolution as a melodic techno producer, the album features 21 tracks split into two distinct components. The first section chalks up a chunk of original compositions, including standout singles like "Pictures of You" and "Higher Power," along with collaborations with Chris Avantgarde, PARISI, Rebūke, and more. The second segment offers reimagined versions of tracks from both Genesys albums, featuring notable remixes by Eric Prydz, Adriatique, and Cassian. With its diverse range of sounds and collaborations, an impresisve and fully comprehensive second edition promises to be a pivotal moment in Anyma's career, dropping amidst the excitement of Miami Music Week 2024.
Review: Northern banger brigade GTA are marking a big old decade in the game with this walloping collection of beats across the spectrum. Delivered in 10s over five different themes from classics to remixes to floor-scorchers, the end result is an excitingly varied and feisty 50-strong spread of drum & bass perspectives where vibes range from Conrad Subs' utterly gully jungle vibes on his remix of Sl8r's 'Facking Jungle M8' to the thundering dancefloor wallops of Cliques' remix of the label bosses 'Pico De Gallo'. No strong is left unturned throughout the collection as we're just as like to be refreshed by liquid (Pyxis & Maykor's 'Guardian Angel') as we are flattened by venomous, laser-kissed neuro blasts (ICU's remix of 'Rip The Roof Off') Crash bang wallop what an album.
Review: It's been quite some time since Azule dished out an EP of this weight and size before. The last time was the epic 'Emotions' on Dub Shotta but now the Bristol badman is back with this crucial BoujeeBass debut. Naturally every track hits with a crunch and crisp riffy groove, ranging from the belligerent techy bite of the lead track 'Curves' to the more cosmic, futuristic 'Spell' which hits like a modern version of a Nero and Drumsound & Bassline Smith collabo. Elsewhere rampant tear-ups like 'Nasty' and 'Take Me Away' add all the spice you need for the season. Get curvy.
Review: The road don't stop in Bristol. Flex 180 to the other UK coastal outlier for more inspo as cats in Anglia show us how it's done on the east side. There's some tasty names on board, too, as Damageman takes the lead with the big bruising 'Grey' before Conrad Subs freezes us in our track with an iced out grime-flavoured 'Version'. Elsewhere Flat T' brings dusty funk samples on the earth-flattening 'Freddie Got Fingered', JOE goes for that old school D*Minds vibe while Phaze One has us all in a soaking wet mess on 'Champion Tuneup' as a jump up wobbler turns into a lighter raising anthem. Big up all crews over the east side!
Review: Art of Tones fantastic collaborative EP with live disco-jazz outfit Chatobaron, last year's 'Flight of the Comet', have been given the remix treatment. The EP begins with a trio of takes on 'Ban The Disco'. Crackazat steps up first with a UK garage-influenced deep house revision rich in musical colour, before Bruno Hovart dons his familiar Patchworks alias for a luscious, all-live take that sits somewhere between deep disco, jazz-funk and organic house. If you're looking for a little more energy, check Paul Cut's driving, Rhodes-laden revision of the same track. Elsewhere, the 'Raw Analog Funk Remix' of 'Pendant Ce Temps La A Vera Cruz' is a languid, warm and richly organic deep house treat, while Tiurbojazz's take on 'Flight of the Comet' is a slow-motion, sax and piano-laden head-nodder with added Balearic sunshine.
Review: Fresh from getting moody on Crucast and being out and about on DnB Allstars, Ampy's 'Machine' gets re-fired up in all kinds of cool ways by an all star cast. Originally released in May 2023, now it's in the hands of filth wizards such as Master Error, Gino, T95, Nick The Lot, Majistrate and Sub Killaz. Highlights include the cool switches and endless of energy of Gino's take on 'Rendevous' and the extreme grot and intensity of Nick The Lot's twist on 'You Better Move' but on the real this whole EP is utter chaos. Fire up the machine!
Review: Selecta! Sub-liminal bossman Agro rolls his sleeves up and gets stuck into his label vaults, drawing out persys and reminding us just how on it his label has been since morning. Ranging from the twisted bass bubbles and trippy warped sounds of Warhead's 'Tread Carefully' to the interplanetary bleep drama and sweet bubbling subs of Kumo's 'Trick Shot', Agro is explicitly telling us how versatile and timeless his label has always been. With some of these cuts going back to the 2016/17, he's proved it. Get stuck in!
Review: Sam Pyro touches down on Subdue Audio for a very tasty collection indeed here, unveiling four rolling originals that pack both a unique and dancefloor-friendly punch. Opening up, we jump into the twisted vocal processing and eerie synthetic pad textures of 'Painkiller', giving us a vibrant title track that constantly leaves us wondering what's next. This is then followed by 'Tear It Down', a mind-melting combination of epic vocal lines and stuttering synthetic beauty, before 'Overtime' gives us a more spacious feeling, again working some real vocal wonder. Finally, 'Wanted' pushes the boat out into a more abstract synth-driven pocket, giving us a fiery closer to this wicked collection.
Review: It's that thyme again! Filthy Habits are off to Tescos and heading straight for the condiment aisle for a little spice and seasoning. First up is 'Herb Deal', a bouncy bubbler that nods at the mid 2000s dancefloor sound and stinks of oregano. Elsewhere the tarragon-tinged 'Right Here' gets all switchy with its tear-out drops and bleepy flips while the swaggering Hazardian 'Brain Functions' will batter you will until you swear everything smells like dill. Deeper into the spice rack we reach for 'Disconnected' and shake our hips to the rattling rosemary scented loose limbed breaks while 'The White Feather' is a much colder, almost electro-informed stepper. It also reeks of parsley.
Review: Next up on Laurent Garnier's label is a split release that explores the deeper end of house and techno. DJ Deep is up first with "What's Going On". Powered by raw, tribal beats and featuring lush pads, it sounds like the veteran house head's tribute to Joe Clausell's organic sound. Avision's "Hold No Groove" is also inspired by house music, but on this occasion, Chicago rather than New York is referenced. Combining a snaking bass with busy, layered percussion, the result is mesmerising. Deetron ups the tempo but maintains a deep sound on "Pulse", its musical but insistent rhythm recalls classic Kenny Larkin.
Review: Following a slew of killer releases last year on the likes of Biological Beats, Program and Jungle Cakes, the currently unstoppable Jenks returns to Born On Road with two more addictive party-melters. 'Chimes' is one of those naggy tunes that are super fun to mix in over pretty much any blend and will always get a wild reaction while 'Frequency' gets even heavier with its ravey riff and drop into pure guttural gully. Power moves!
Review: French producer DJ Steaw dives deep into the world of house music with his debut release on the legendary Nu Groove label, the aptly titled "Seascape EP." This four-track journey explores the producer's signature sound - think driving basslines and warm, soulful vibes - while incorporating a range of influences that keep things fresh. The EP kicks off with "Take It There," a powerful track that sets the tone with its pulsating stabs and undeniable groove. The title track, "Seascape," offers a beautiful contrast, layering airy pads over dynamic percussion, creating a dreamlike atmosphere on the dance floor. "Close To U" and "Exotica" further showcase DJ Steaw's versatility. Both tracks maintain a recognizable, nostalgic feel, perfect for those who appreciate classic deep house with a modern twist. They're undeniably club-ready, yet possess a quality that's equally suited for home listening.
Review: Gino & Harry Shotta just dropped a fresh EP called "It's Mad / Punished" on Crucast. Kicking things off with "It's Mad," this track hits you with an instant surge of energy right out the gate. The thumping basslines and infectious groove just grab hold of you and don't let go until the ride is over. Moving to "Punished," and we're in a darker, grimier zone. The eerie melodies and nasty basslines create this tense, suspenseful vibe that keeps you on your toes. But as the track builds and builds, it just explodes into this intense barrage of hard-hitting bass and beats that leaves you feeling it deep down.
Review: Throughout their decade-long career, Alma Negra has combined their love of disco and deep house with percussion, instrumentation and ideas excavated from African, Caribbean and tropical musical cultures. On this EP, they largely ditch the latter inspirations, instead delivering full-throttle revivalist disco sounds where the Basel-based band's organic instrumentation and vocals combine with colourful synth sounds and heady horns. The headline attraction is undoubtedly 'Madrugada', a warming and thickset, subtly deep house-influenced take on the turn-of-the-80s NYC downtown disco-not-disco sound. It comes backed with two revisions - an extra-percussive, dubbed-out Yuksek tweak and the band's own dub disco-goes-deep house 'Dub Mix' - and the riotous, party-starting brilliance of 'Funky Fever'.
Review: Word on the street is that there's going to be a YouGov petition to get DJ Hybrid to change the name of Deep In The Jungle to something more honest such as Absolutely Banging In The Jungle or Rinsing Hard In The Jungle. He's going to have to with cuts like these from Lowriderz or trading standards will be on to him... Each cut is a walloping floor-flattener! Highlights include the really sleazy dark feeling with 'Soundbwoy' (featuring Enek) and the raw funk fusion and snake-like percussion of 'Hybrid Skank VIP' but the whole EP totally wallops. Big love to Lowriderz and DJ Hybrid.
Review: Yo, this is Ed Rush's debut solo album. We repeat - this is Ed Rush's debut album! Don't waste your precious time read this description, just mark our words, trust your own gut instinct and acknowledge the Virus founder's incredible consistency, influence and skin in the game... You already know this is going to slap. It's going to slap hard! Chances are you've heard some of it either in the sets of DJs such as Black Sun Empire, A.M.C and Mefjus or on Vision Radio. Chances are you've already bought the samplers and you've been waiting for this moment all your life. Chances are you've stopped reading and bought this already. Essential late night tackle from a genuine don.
Review: Spreading the positive vibes for well over 20 years now, D&B solider Heist lays down pure gold with this epic spread on Logan D's Low Down Deep. He's in good company on the title track, too, as Inja brings the wise words on 'Good Over Evil' before Jim goes solo for the rest of EP, slamming down bubblers and bruiers alike. 'Beg For Your Lives' is a tremendous highlight with its big splashy drums and twisted vocal sample, elsewhere 'Drop The Gun' goes full-on stripped back and bumping and 'Light Speed' is all about that wobble. Evilly good!
Review: Buckle up for a high-octane ride with "Bomb Squad (Bou Remix)" on Low Down Deep Recordings. This remix by Bou injects fresh energy into the original track, taking it from jump-up territory to full-fledged drum & bass annihilation. The remix wastes no time in establishing its dominance. Gone are the original's playful elements; Bou slams the listener with a barrage of breakneck drumwork and a sub-bassline that will rattle your speakers. The signature jump-up sound is still present, but it's been twisted and contorted to create a more aggressive soundscape.
Review: One of Subway Soundz most consistent operators right now, Duece lets rip with another clutch of jump-up rib breakers. 'Shimmy Salsa' sets the pace with venom. Nagging and infectious, this one kicks hard for the doubles. Elsewhere other highlights include the rump shaking drama of 'Take Ya Time', the super grizzly face melter 'Nothin' To Worry About' and a very special VIP of 'Listen Up'. Shimmy shimmy ya!
Review: Four40 have been known for their cultivation of talent since their inception, with this latest offering seeing the monstrous flavours of bullet tooth land for a much awaiting link up. Across these five tracks, we see exactly what bullet tooth is all about, with the moody sub pulses of 'Your Love' and crunching drum stutters of 'Immaculate Skank' giving us a truly vibrant experience. Killa P then touches down for a hard hitting vocal performance on the heavily syncopated slides of 'Brand New Day', followed by the pacey breaks-driven drum lines of 'Love Sensation'. Finally, we round off with a more subtle piece of soundscaping entitled 'Signal', bringing a touch of calm to bring this awesome debut drop to a close.
Review: Long live team Alpha Pup, an excellently organised project that have moved onto the third edition of their epic '20/20' compilation series, exploring the most lethal reaches of underground bass music. Featuring hard hitting originals from the likes of Ivy Lab, Dismantle, Rocks FOE, Bakey and more, it's clear that the team have gone all out on this collection, with sounds ranging as wide as the hardcore inspired mysticism of 'Naananaana' from Rohaan, to the industrial techno-flavours of Ila Brugal's 'Cynical'. The whole project packs a punch, but our highlights would have to include both the intense metallic madness of Deft's 'OKURTHEEXPERT', alongside Manni Dee's monstrous 'Wet Slide' creation. Top work all around!
Review: Feeling sleepy? Need a cosy little rest all cuddled up in your comfies? Well don't go asking GinX over... He'll sing you a 'Lullaby' so cold and deathly you might as well marry Freddy Kruger. Pure laser-infested grot, this vibe is carefully maintained throughout as GinX gets more and more twisted with his sound design and processed demonic vocals. Each cut painting from a similar sonic palette (think somewhere between Simula and Toxinate), there's a dark allure to the whole EP and a lot of great mixing potential. Rock-a-by me babbers!
Review: As Miami Winter Music Conference spins around for another year so does Toolroom's affiliated compilation showcasing why Mark Night's label remains at the precipice of mainstream club music. Bringing with it two full length DJ mixes and exclusive tracks from crew like Alex Kenji, Jerome Robins and Camila Jun, there's also banging numbers from legends like Green Velvet, Nicole Moudaber and Shadow Child next to Low Steppa and Tony Romera! ESSEL kicks off the compilation with the catchy choral loops of "The Edge", with other highlights to mention across some 50 tracks coming from Martin Ikin's drippin' "Make U Sweat", CASSIM's disco-tinged "Wanna Feel Something" and Carly Wilford's "The Dance". Time to dive into Miami 2024 - Toolroom style!
Review: Slithering around the CIA gaff like he's the captain of the good ship Slytherin, Serpnt sheds some serious skin with his debut EP. Without doubt his biggest release to date, over four tracks he gives us a timeless treatment with curmudgeonly bass and moody, offkey grooves. Highlights include the wonky grit, detuned keys and strange warped basses of 'Rave' (with Infrah) and the spacious siren-winding wriggler 'Different Flex' but the whole EP is something special.
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