Review: It was always going to be a hard act to follow the heavyweight line-up of label founders and main artists that featured on Speicher 100, but Anna has not been outdone. The Brazilian-Spanish producer's sound is at the harder end of what the storied Kompakt sub-label usually releases, but it's still of the highest quality. "Hidden Beauties" is a big room, acid-heavy workout powered by a grungy bass and massive break downs and builds. On "The Dansant", the mood is even bleaker; Anna drops an evil, belching sub that provides the back drop for rolling snares and a visceral, filtered riff.
Review: It's that time again: Cologne institution Kompakt return with their annual round up of what's hot in contemporary house and techno - all with the distinct hallmarks in harmony with their aesthetic: deep, intelligent and absolutely evocative. Rest assured that all the usual suspects appear - label stalwarts such as Jorg Burger, Jurgen Paape, Gui Boratto and of course head honchos the Voigt brothers. Elsewhere there are some regulars and newbies alike such as Los Angeleno Sonns on the sun-kissed and tripped-out "Tame" (feat Beesh), veteran John Tejada with the bold melodics of "Detector" (a cut from his brilliant new Dead Start Program LP), lo-slung cosmo-balearica by Ghost Vision on "Zuul" and the legendary Jake Williams aka Rex The Dog on the epic dance floor drama of "Crasher". Another tremendously curated compilation that's essential listening.
Review: The annual Toolroom statement of intent for Ibiza gets off to a raucous start with the good time house Camelphat remix of Fatboy Slim's "Right Here, Right Now". Despite this, the compilation isn't all about peak time pleasure. It features deeper nuggets like the sun-kissed deep techno remix of Bicep's "Opal" by Four Tet and the hypnotic break beat techno Kolsch remix of Nic Fanciulli's "Saying". However, Ibiza 2018 doesn't depart too far from the script, and label boss Mark Knight's "We Get High From the Music" is classic Toolroom - a tough tribal workout descending into filtered, vocal-heavy nirvana. That said, they deserve plaudits for keeping a close eye on new artists and the niggling acid and chimes of Peggy Gou's "It Makes You Forget" is testament to that.