Review: Six years on from launching the It's A Summer Groove series, Joey Negro returns with a fifth selection of sunshine-friendly tracks from the Z Records vaults. While much of the label's output - soulful, accessible, funky and heavily influenced by disco, funk and boogie - could be described as "summery", there's something particularly bright and breezy about the 21 tracks gathered together here. Highlights are naturally plentiful, from the smooth disco-soul goodness of the Reflex's recent remix of the Sunburst Band's "The Secret Life of Us", and the terrace-friendly piano house of Shur-I-Kan's rework of Zo & Erro & Phonte, to the vibraphone-laden boogie-house goodness of Rainbow Connection and Taka Boom's "Surrender".
Review: Joey Negro's Soul Of Disco series has always been a great source of forgotten disco gems for those who like their dance music rich, stringy and soulful. This third two-disc selection from the Z Records boss is no different. For disco diggers, there's plenty to enjoy, be it the rich, horn-drenched instrumental grooves of Board Of Directors' "Hanging Tough", the raw, clavinet groove of Loi's "Body Contact" or the wobbly synth bass and perfect percussion of Phenomenal's "One Two Three". With a smattering of bonus re-edits from Joey Negro himself for those who like their grooves a bit more DJ-friendly, The Soul Of Disco 3 is nigh on essential.
Review: It may have taken eight years, but Joey Negro has finally got round to putting together a follow-up to his superb Backstreet Brit Funk compilation. Like its predecessor, this sequel shines a light on Britain's under-appreciated musical response to the U.S soul, jazz-funk, disco and electro scenes of the late 70s and early 80s. On the whole, the showcased tracks are altogether deeper selections than those found on volume one, meaning obscure highlights come thick and fast. These include - but definitely aren't limited to - the low-slung disco-funk of Rick Clarke's "Potion", the glassy-eyed breeziness of Paradise's "Stop and Think", the footworker-friendly jazz-funk riot of Touchdown's "Ease Your Mind" and the samba-soaked carnival flavours of "Brazeila" by Brazeila. Oh, and a killer dub of Janet Kay's overlooked Brit-boogie classic "Eternally Grateful" that has never before been released.
Review: Here Z Records boss Joey Negro presents his own take on the everlasting 90s revival. Just like on all his other projects he's dug deeper to present gems the label say may have until now slipped under the garage doors (i.e. haven't yet been granted digital immortality). Highlights of these 26 rarities include Robert Owens' smooth n' sultry synth jam "Gotta Work", the bitchy disco of "Unique" by Danube Dance & Kim Cooper and the raw attitude of Mike Delgado's "The Murder Track". With this fine release, who needs a time machine?
Review: By now, we should all know what to expect from each new album in Joey Negro's "Remixed With Love" series, namely fantastic new revisions of classic disco, boogie, soul, electro and jazz-funk classics created using the original multi-track tapes. This third volume naturally contains a few inspired revisions of well-known cuts - a riotous take on The Fatback Band's "Do The Bus Stop", an astonishing, dubbed-out version of the Temptations' "Law of the Land" and a soaring, life-affirming rearrangement of Patrice Rushen's "Never Give You Up" included - but also some suitably smart tweaks of lesser-known gems. These include a sublime revision of the APX's '80s gem "Loose Yourself To The Groove" and an insatiable take on Mass Production's "Shante" full of jammed-out electric piano solos and rubbery electric bass.
Review: With the 2016 Ibiza summer season in full swing, Dave 'Joey Negro' Lee has gathered together a bumper collection of label tracks that are currently doing the business on the White Isle. There are few surprises amongst the 28 selections - think swinging piano-house, soulful grooves, sun-kissed broken beat, contemporary disco reworks and synth-heavy boogie-house - but the quality threshold remains remarkably high throughout. Highlights include Lee's glistening 2016 re-rub of his vintage Doug Willis anthem "Spread Love", a deliciously loose and synth-laden Fouk rework of The Sunburst Band, the bad-ass boogie business of Spirit Catcher's "Rendez-Vous", and a killer 1995 rework of Fonda Rae's "Over Like A Fat Rat" from U.S house legend Victor Simonelli.
Review: Z Records clearly don't do things by halves. Eschewing the usual format for remix albums - a CD's worth of reworks - Joey Negro's imprint is offering up a whopping 26 different versions of tracks from his debut Akabu full-length, The Phuture. So, where to start? Jimpster's touchy-feely deep house take on "Searchin" is as good as place as any (handily, it's the opening track). Elsewhere, look out for a splendid, soundscape mix of "Phuture Bound" by Ame, a tight and percussive builder from MCDE, a delightful Detroit techno-meets-electrofunk rework from Octave One, a skippy, old-skool garage excursion from Lovebirds (surprisingly) and solid contributions from Spirit Catcher, Shur-I-Khan and Andre Lodemann.
Review: Joey Negro focuses entirely on the Brit Funk movement of the 1970s and 80s on his latest mix compilation. The twenty-three tracks provide an extensive history on the genre and contain a number of extremely rare and very sought after crate digging collectables. Avoiding the huge hits of the scene which appear on retrospectives the world over, Negro unleashes a host of the genre's underground club hits that remained only on the local scene, many of which were re-edited by Negro exclusively for this compilation. Do not miss this.
Review: Following a host of releases with his Sunburst Band, Z Records boss Joey Negro is back to perhaps what's he's best known for: spinning light and soulful disco house. This second in the series kicks off with the handbaggy "Smile" by Mistura and take in thumping diva business "Every Day Of The Week", sublime techy house "Life Is So Strange", unsullied authentic disco "Power To The People", acid-jazz on "Better Things To Come" and the phaser-heavy, electro-boogie of "Begun To Love".
Review: We can think of few DJs more suited to compile a retrospective of killer 1990s house and garage than Z Records boss Joey Negro and Fanatix member Neil Pierce. It's perhaps unsurprising then that this follow-up to Negro's admired 2015 compilation is packed to the rafters with must-have treats. There are naturally some suitably big cuts present - see Kerri Chandler's fine mix of N-Joi's "Anthem" and Todd Terry's rub of Martha Walsh's "Runaround" - but for the most part the selections will be new to all but a small collection of veteran US garage enthusiasts. Our highlights include the riff-powered goodness of Slam Mode's "100% Power", Marshall Jefferson's deep dub of Screamin' Rachael's "Rock Me" and the soulful rush of Donald O's "Everything's Gonna Be Alright".
Review: Hit makers Rodgers and Edwards' mammothly influential Chic songs enjoy one of the finest curatorial salutes from UK disco's most discerning torch-bearer/creator Dave Lee. Digging deep into his vaults and unearthing some of the best homages, references and blatant covers, Negro join the dots and delivers some rarities you may have never heard before. Get lost in the music of She's shiny guitar strumming "Easy Money", freak out to Charanga 76's "Good Times" and get lucky with Van Jones's "Not About That"... Everyone knows about the hits and influence, most of us know how important a role Chic played in sample culture but Negro has gone the extra mile to celebrate some of the lesser known references Chic have had over the years. Freaking great.
Review: Influential and prolific, Dave Lee has been one of house music's major proponents of soulful, disco-tinged, vocal tracks. Without question, he was instrumental in its development. Produced With Love is only the second ever Joey Negro album to be released and the first for more than 20 years. It proves that dance music with character still exists and rather than rely on sampling older records, the overwhelming majority of music is newly recorded. Rest assured that there's quite the supporting cast here, on the vocal front: the late great Diane Charlemagne on "Overnight Sensation", Canadian songstress and frequent Nick Holder collaborator Sacha Williamson on "I Recognize" and the legendary Linda Clifford on "Won't Let Go". Fellow London disco dons Horsemeat Disco collaborate on "Dancing Into The Stars" too. The second half of the collection focuses on Lee's impeccable remixes and yes: there is a version of "Must Be The Music" and a track by the inimitable Peven Everett entitled "Love Is Thicker Than Water" alongside several other gems.
Review: When it comes to blending classic disco and bumpin' peak-time house, few can match Joey Negro - a man who has been offering up disco-fied house jams since the early '90s. There are naturally plenty of his own tracks and remixes on "Put Some Disco In The House", an expansive collection of quality disco-house moments, with highlights including the rolling disco-boogie heat of "Put The Music On It (Original Disco Mix)", the chunky, walking bass-propelled "Dancing Into The Stars" (with Horse Meat Disco and Angela Johnson) and a slamming rework of Sessomato's jazz-funk flavoured "Moody". There's plenty of heat to be found elsewhere, too, with standouts including JKriv and Adeline's "Vertigo", Opolopo's boogie-tinged revision of Sylvester classic "I Need You" and the spiraling disco pump of Yam Who and Jaegerossa's "Grateful".