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Played by: FINGERMAN, Kiu D, Juno Recommends Disco, Tonbe, JKriv (Razor-N-Tape), Alan Dixon, 80's Child, Chuggin Edits, SITUATION
Review: Following the recent release of Luxxury's double A-side "Hold On"/"Take It Slow", which featured reworks from J Kriv and Crackazat, Deep & Disco presents four more remixes. Greg Wilson delivers two collaborative versions; an acid-flecked deep house-meets-disco tweak of "Hold On", and a hazy, dubby, stripped-back interpretation of "Take It Slow". Arguably the most impressive remix on the package, though, comes from Aficionado Recordings and Music For Dreams artist Vision of Panaorama, whose version of "Take It Slow" is little less than a sparkling, slow-burning Balearic delight. While it retains some elements from the original - notably the bass, guitars and live drums - the additional synths and electronics are little less than sublime.
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DDRD 012
27 Jun 16
Disco/Nu-Disco
27 Jun 16
Disco/Nu-Disco
Review: Album number three from Luxxury here. But where their 2006 debut was an electro/indie-dance affair and 2014's 'Luxxury Edits' compiled a load of the hazy, dropped-tempo re-edits they're best known for, 'It's Not Funny' finds them turning in 10 tracks that operate in Nang-esque nu-disco territory... complete with all the glistening 80s pop sheen, analogue synth sounds and yacht rock-ish overtones that description implies! There's nothing especially innovative or ground-breaking going on but fans of the style will find much to enjoy here (even if the falsetto vox can get a little relentless), with standouts including the dreamy, mid-paced 'Hold On' and Scissor Sisters-esque closer 'I Wanna Be Everything'.
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NOL 113
08 Nov 19
Disco/Nu-Disco
08 Nov 19
Disco/Nu-Disco
Review: Los Angeles' LUXXURY has long been a masterful creator of the kind of warming, sun-splashed fusions of disco, boogie, yacht-rock and synth-pop that sound like they were tailor-made for soundtracking long drives down the Pacific Highway at dusk. That vibe once again comes to the fore on his glossy, impeccably produced new album, Ambiance, which offers a largely vocal-free, DJ-friendly version of the simultaneously released, radio-friendly 'Alright'. What we get is pretty much the same tracks as that set, expanded to include takes on previous singles and unheard workouts. There's much more reliance on groove and instrumentation, allowing us to marvel at his mid-80s style FM synths, Hall & Oates-esque electric piano motifs, rubbery bass guitars, colourful electronic flourishes and undeniably dancefloor-ready drums. Retro-futurist nu-disco at its finest!
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NOL 133
30 Sep 22
Disco/Nu-Disco
30 Sep 22
Disco/Nu-Disco
Various
Played by: Jason Peters
Review: Having previously released Orange, Blue, Green and Pink "collections", Eskimo Recordings continues its' colour-coordinated theme with a Yellow compilation. As usual, the collection draws on material from both established names and lesser-known talents, and does a bang-up job joining the dots between hazy Balearic pop, nu-disco, indie-dance and colourful, soft-focus house. While it's all of a high standard, we're particularly enjoying the sparkling dub disco-goes-Balearic flex of Satin Jackets' dub of Du Tonc's "We Can Hold On", the trippy analogue bump of Man Power's "Fisky", the splendid rush of Luxury's baggy disco groover "Breathe", and the camp, Italo-disco thrust of "El Wild" by the brilliantly named Zombies In Miami.
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541416 507727D
20 May 16
Disco/Nu-Disco
20 May 16
Disco/Nu-Disco
