Review: This is the second part of a trilogy that Mark Broom is releasing on ePM. The techno veteran's ear for crafting straightforward but effective tracks clearly has not diminished over the years and the title track presents the listener with a stab-heavy arrangement, played out against the backdrop of heavy kicks and niggling percussion. "77" sees Broom take influence from tracky US house, riding a shuffling, looped groove to infinity, while "LX" continues in a similar vein, led by chiming piano keys and an insistent, filtered rhythm. Striking a balance between house and techno, ePM have recruited Gary Bek to remix the title, which revolves around an organ stab and a rolling, looped arrangement.
Review: The last commercial mix that Robert Hood did back in 2008 for Fabric re-ignited his career. Appearing at the tail end of minimalism, its hard-edged sounds provided a welcome relief to the prevailing sound. A decade on, the 66th DJ Kicks finds the Detroit artist once again in firing form. "Focus" signals his intent with its massive siren riff and pounding drums, while "Clocks", which builds and builds to electronic bee swarms, shows that he has lost none of his minimal techno firepower. Sure, there are other fine contributions, like Truncate's sheet metal banger "Terminal 5" and the shadowy riffs of Marcel Fengler's "Thwack" - itself a paean to Dr Motte's "Der Klang Der Familie" - but like the Fabric selection, this instalment of DJ Kicks is all about Robert Hood.