Review: File Under Disco: releasing 100% original disco since 2012. Their latest release is by Oh Yeah, who produced the massive "Nothing But The Beat" last year which included a mighty Hot Toddy remix. Now they deliver yet another dancefloor weapon of a track: it's reminiscent of classic Michael Jackson or '80's Motown. Remixes are by Perth's finest Dr Packer: two in fact. The first injects much more funk and dancefloor dynamics into the track, while the dub mix does exactly what it says on the tin. New Zealand's Frank Booker is in top form as always, getting that soulful '70s vibe on and finally Razor 'N Tape's Dicky Trisco & JKriv go for a New York City circa '83 kinda joint: which will take you back to the days of Studio 54.
Review: File Under Disco's "100% original disco music" remit is refreshing in these days of countless re-edits and sample-heavy nu-disco mash-ups. Their latest salvo comes from London's Oh Yeah, whose trademark sound effortlessly blends live drums, bass, guitars, keys and vocals. "Nothing But The Beat" is a strong debut, sitting somewhere between sharp, Chic-style disco, hazy jazz-funk and early '90s acid jazz. The remix package is notably strong, too, with Crazy P man Hot Toddy delivering a pair of reworks. On both he toughens things up a little and adds a few dub disco flourishes, whilst retaining the band's wonderful instrumentation. His Dub, in particular, is superb.
Review: DJ Godfather with the bizness once again offering up a point and place where the tempos of house, techno and electro can be bridged in a single mix with the BPMs of footwork, juke and jungle. Godfather flexes between 125-145 BPMs in two versions of "Make That Ass Go BOOM", with your stable tempo of course found in the original mix kept at a straight 145. Get your more tongue in cheek, Dirty Bird-like club numbers from "Up All Night (feat Christina Chriss)" next to the straight up, frenetic, and deep Detroit styled clap-track "D3T-313".