Review: Sub-liminal take a moment to look back over almost six years of hard graft at the future talent coal face. Having been responsible for so many bangers from so many now household names, it's a mean feat boiling it down to this mere 50 heavyweight highlights. All the label's key names are on board; Guzi, Dreadnaught, Nick The Lot, Too Greezy, Kumo, Version, Vital, Pyro, Motiv and many more dust off their past heavers, hurters and head-slappers to reflect on everything Sub-liminal has stood for and encouraged so far. From the deeper, more subtle bubblers (Sam Harris - 'Coffee Machine') to the most outrageous funk-ups (Warhead - 'Cranked') this EP has everything. When the Riddim hits you, you can't say no...
Review: In terms of legendary status for labels over on the jungle/jump-up side of the scene, it's pretty hard to beat Serial Killaz. Run by the duo of the same name, the imprint has arrived with the second instalment of their mixtape series and it's unsurprisingly good. Full of big tunes from guys like Serial Killaz themselves, Vital Elements and Upgrade, it's the latter of these guys that takes the cake with 'Steel Drum'. You've probably heard this one doing the rounds and it's actually already been released, but oh boy what a tune this is: a screaming, siren-lake mash of grating metallic synths and punching drums all come together to make an unstoppably good piece of music. Don't sleep on the rest of these tunes though, and a special mention goes to DJ Hybrid's 'Beatbox' - naught jungle vibes.
Review: Deep In The Jungle got picked out by UKF has one of the top labels of 2018 the other week and it's certainly well deserved, for they just consistently bang out some of the most vibey jungle around. They also represent forthcoming artists and we'll always support those who give a platform to people who otherwise might not. The album is a huge fifty tracks, spanning some well-known names like DJ Hybrid, SL8R, Conrad Subs, RMS and Kumarachi. The latter kicks off the album with a bang, 'Have You Here' sweeping down the range with its DLR-esque bassline and riotous attitude. It's a emblematic of the quality present on the rest of the album - check it out.
Review: Ooof! Sub-liminal are spoiling us right here: 19 tracks and a mix killer mix from gully professor Too Greezey. Loaded with upfront exclusives, VIPs and classics in equal measure. One moment we're squelching and squirming to the wet bass on Warhead's "Bad Trip", the next we're gurning and turning to Benny L's Dillinja-esque remix of Hybrid & Agro, the next we're spooking out to the Clipz-style harmonies on Guzi's "Business" VIP, the next we're writing out our last will and testament to Agro's incredible mix of Leaf's "New Life". That's just scratching the tip of this murky iceberg, there are myriad other bangers awaiting your attention, just tuck in.
Review: This is an album for any discerning D&B head who has been locked in to the sounds of D&B this year. Featuring the likes of SL8r, Kumarachi, DJ Hybrid, Bou and Stompz, this big LP touches right onto the pulse of where the D&B scene is at the minute: long basslines, raucous atmospherics and downright dirty vibes. Bou provides that from the very start with his remix of 'Raised In The Jungle' by DJ Hybrid and MC Haribo, a full-throttled run through the Mancunian space in the Bou fashion that we all already know and love. 'Liberation' by RMS is another highlight, slightly more stripped back than some of the other offerings but still with plenty of force to go around. This is a fat release.
Review: Don't be misled by the title: this is no thrown-together 'greatest hits' package but rather a 40-track label showcase from DJ Hybrid's Audio Addict label, coming complete (if you opt to buy the whole album) with a fast and furious, 52-minute mixed version by Canada's RMS, aka Paul Currie. Tracks come a mixture of relatively new names (Martyn Nytram, Saffire Dubz, Confusious) and more established players (LJ High, Scartip and of course Hybrid himself), while stylistically the album touches on various different D&B sub-genres, but with the emphasis always firmly on cuts that are built to tear up the rave.