Review: Now many have guessed that this one has been in the works for a while, but that makes us no less excited to unveil this tasty new album projct from J:Kenzo, who returns to his home imprint of Artikal Music for 'Taygeta Code'. From start to finish, the album is a true exploration into electronic music, primarily of course focussed around 140BPM. It's got bass pressure on 'Desired State', it's got acidic originality on 'Hoodwinked', it's even got a weighty guest vocal from the legendary Flowdan who returns on Kenzo's Darkside VIP mix of 'Like A Hawk'. This is an excellent showcasing of J:Kenzo's ability within a crowded dubstep scene.
Review: With trance pretty much in vogue as it's ever been, who more do you trust to deliver this classic sound than Armin Van Buuren 'the master' himself. The best of 2019 compilation sees epic tales in trance come from Artic Moon with a refined strand of progressive beats and vocals in "Cool In My Disaster", with a similar vibe also heard on Jameson Tuller's "Black & White". Roman Messer turns in an uplifting number via "Dreaming" - the title suggesting enough - while Above & Beyond deliver the goods with the epic "Show Me Your Love". Ferry Corsten too makes an appearance with the star-gazing and emotional distorted "Surga", with AvB's marching cut "Turn It Up" a classic for peak time DJs everywhere.
Review: Cru-Cast is the music platform that has rapidly expanded into the world of events, with a focus on raucous basslines across bassline, D&B and more, it's been shelling venues up and down the UK for a couple of years now. The label side is part of the same offensive and Bru-C is the soldier in command today, a grime MC who can flip between genres easier than more, a skill he shows off here on his debut LP Original Sounds. 'Snakes & Ladders' featuring Bou and Ella Knight is a highlight for sure, as the potent Bou maintains his usual prowess but this time on a lighter tip, Ella's vocals coming into play in a sick way and Bru-C's bars tying the whole thing together a flourish. Skepsis makes an appearance, as do Jamie Duggan, Chromatic, Simula and more.
Review: Uncovered is a three-part series that shines a light on unreleased tracks from Peter Van Hoesen's archives from a ten-year period, commencing in 2008. What may surprise fans of his kinetic warehouse techno is that the respected producer is also adept at creating slowed-down electronic pieces, audible here on "Editsolopunchin19 " and "Rosegarden Funeral Of Sores", the latter featuring Jacques Trenson's muddy vocals. There are other unexpected delights on this volume, such as the droning "Merely A Mirage", while "Slowdisto" bathes in a glitchy hue. At the same time, this collection does remind the listener of Van Hoesen's dance floor prowess and both "Exor1" and "Gadarene Rush" contain vivid sketches that form the basis of his distinctive techno sound.
We Call It Acieeed (Mall Grab remix) - (6:16) 134 BPM
We Call It Acieeed (Nathan Micay's Limp Wrist Society remix) - (6:14) 130 BPM
Review: Originally released over 30 years ago when dance music swept the UK, the D Mob standard has not aged a second. However, this re-release does include a series of remixes that lend it a contemporary context. First up is Drumcode producer Rebuke with a restless minimal techno version that twists and turns the original 303 line into new shapes. Mall Grab opts for a straight, banging techno take, with only the 'acieeed' clarion call remaining. Nathan Micay drops a pulsating, high-paced version, while best of all, edit king Serge Santiago drops an electronic disco-led version, where the 303s are tweaked to the max.